Le Duo (Les Mannequins de la tour rosel). 1915. Oil on canvas. 81.9 x 59 cm.
Le Rêve transformé. 1913. Oil on canvas. 63 x 152 cm. Saint Louis Art Museum, St. Louis. USA.
Piazza d'Italia. 1913. Oil on canvas. Art Gallery of Ontario, Toronto, Canada.
The Enigma of the Hour. 1911. Oil on canvas. Private collection.
The Prodigal Son. 1922. Oil on canvas. Museo d'Arte Contemporanea, Milan, Italy.
The Soothsayer's Recompense. 1913. Oil on canvas. The Philadelphia Museum of Art, Ph., USA.
Torino printanière. 1914. Oil on canvas. 124 x 99.5 cm. Private collection.
jueves, 26 de noviembre de 2009
Music: Kevin Johansen - Road Movie (Muy buen video)
Este video me encantó, es muy bueno, buena estética, una idea que se desarrolla con fluidez, bien filmada y diciendo. Buen trabajo de la productora Diecisiete y del director Federico Iparraguirre.
http://www.diecisiete-productora.8m.com/
Producido por DIECISIETE PRODUCTORA
Dirigido por FEDERICO IPARRAGUIRRE.
Videoclip del tema "Road movie"
Segundo corte de difusion del disco "Logo" de Kevin Johansen.
Actor: PABLO STRAMMER
Arqueología - Archeology: El Señor De Sipan - Música Andina: Grupo Takillakta - Texto Historia del Señor de Sipan
EL SEÑOR DE SIPAN.... GRUPO TAKILLAKTA DEL PERU
El Señor de Sipán fue un antiguo gobernante del siglo III, dominando una zona del actual Perú. El arqueólogo peruano Walter Alva Alva, junto a su equipo, descubrió la tumba del Señor de Sipán en 1987. El hallazgo de las tumbas reales del Señor de Sipán marcó un importante hito en la arqueología del continente americano porque, por primera vez, se halló intacto y sin huellas de saqueos, un entierro real de una civilización peruana anterior a los Incas. El ataúd de cañas en que se halló, fue el primero en su tipo que se encontró en América y reveló la magnificencia y majestuosidad del único gobernante y guerrero del antiguo Perú encontrado hasta la fecha de su descubrimiento, cuya vida transcurrió alrededor del año 250.
Su descubrimiento se realizó en el centro poblado de Sipán, anexo de Saltur y perteneciente al distrito de Zaña; perteneció a la cultura Mochica que rendía culto al dios Aia Paec como divinidad principal, aunque también adoraron al mar y la Luna. Sin embargo su origen esta aun en discusión debido a que el historiador japonés Izumi Shimada le atribuye un nuevo origen, a otra cultura distinta a la mochica; Normalmente se le atribuye de la cultura Lambayeque, aunque muchas personas confunden este origen, al estar situados prácticamente en la misma zona ( valle de moche ). Se diferencian estas culturas por la orfebrería y la clase y refinado del trabajo que realizaron, además se trataría del dios Naylamp y no de Aia paec.
En la vestimenta de este guerrero y gobernante que medía aproximadamente 1,67 m y que falleció a los tres meses de gobernar; destacan las joyas y ornamentos de la más alta jerarquía como pectorales, collares, narigueras, orejeras, cascos, cetros y brazaletes. Predominan en estas piezas el uso del oro, de la plata, del cobre dorado y de las piedras semi-preciosas. En su sepulcro, se hallaron más de 400 joyas.
El collar de oro y plata es un símbolo religioso de los dioses principales, el Sol y la Luna. Al lado derecho del pecho, el collar era de oro y al lado izquierdo de plata. Simbolizaba la visualización de ambos dioses en el firmamento en un momento del día. Es decir, el perfecto equilibrio deseado, según la mitología mochica.
Music: Tina Turner - Simply The Best
I call you when I need you, my heart's on fire
You come to me, come to me wild and wired
When you come to me
Give me everything I need
Give me a lifetime of promises and a world of dreams
Speak a language of love like you know what it means
And it can't be wrong
Take my heart and make it strong baby
You're simply the best, better than all the rest
Better than anyone, anyone I've ever met
I'm stuck on your heart, and hang on every word you say
Tear us apart, baby I would rather be dead
In your heart I see the star of every night and every day
In your eyes I get lost, I get washed away
Just as long as I'm here in your arms
I could be in no better place
You're simply the best, better than all the rest
Better than anyone, anyone I've ever met
I'm stuck on your heart, and hang on every word you say
Tear us apart, baby I would rather be dead
Each time you leave me I start losing control
You're walking away with my heart and my soul
I can feel you even when I'm alone
Oh baby, don't let go
Drawing: Kiki Smith
Painter: Botero Fernando - Part 11
Music: The Yardbirds - For Your Love - Very rare
¿Qué es lo que veo aquí? ¿Porqué pongo este video?
La estética televisiva, ese es el quid.
Imagino a los músicos corriendo desde las ventanas que están cerca de la cámara al foro donde están las chimeneas.
Me encantó, me hace sonreír, espero que a ustedes les pase lo mismo.
Saludos a todos.
What I see here? Why put this video?
Television aesthetics, that is the crux.
I imagine the musicians running from the windows that are near the camera hasta the forum donde are the chimneys.
I loved it, makes me smile, I hope you pass them the same.
Greetings to all.
Painter: Botero Fernando - Part 10
Music: The Beatles - Dear Prudence
"Dear Prudence" is a song written by John Lennon and credited to Lennon/McCartney. It was initially performed by The Beatles and is the second track on the 1968 double-disc album The Beatles (also known as "The White Album"). It was recorded in one take at Abbey Road on 28 August 1968.
The song is about actress Mia Farrow's sister, Prudence, who was present when the Beatles visited Maharishi Mahesh Yogi in India. Prudence, focused on meditation, stayed in her room for the majority of their stay. Lennon, who was worried that she was depressed, wrote this song for her, inviting her to "come out to play". While the Beatles left the course, Mia, Prudence, Mike Love of the Beach Boys, and others, stayed and became Transcendental Meditation (or TM) teachers. Prudence now teaches elementary school along with her husband, and they both still practice TM, and advanced versions of it, and may still teach TM.
This song, along with the preceding track "Back in the U.S.S.R.", features Paul McCartney on drums rather than Ringo Starr, who had recently walked out. Starr returned after the recording of this song to find flowers waiting for him on his drumkit.
Lennon considered this song to be one of his favorite Beatles songs, and his son Julian Lennon has named it his favorite.
In 1987, Lennon's original handwritten copy of the lyrics was sold at auction for $19,500.
Music: The Rolling Stones - Lady Jane
My sweet Lady Jane
When I see you again
Your servant am I
And will humbly remain
Just heed this plea my love
On bended knees my love
I pledge myself to Lady Jane
My dear Lady Anne
I've done what I can
I must take my leave
For promised I am
This play is run my love
Your time has come my love
I've pledged my troth to Lady Jane
Oh my sweet Marie
I wait at your ease
The sands have run out
For your lady and me
Wedlock is nigh my love
Her station's right my love
Life is secure with Lady Jane
Music: The XX - Infinity
Este video es un don de María de Lourdes Freire, una querida amiga del Facebook.
Mi cuenta en Facebook: Ricardo M. Marcenaro.
Gracias María de Portugal.
This video is a gift from Maria de Lourdes Freire, a dear friend of Facebook.
My Facebook account: Ricardo M. Marcenaro.
Thanks Maria of Portugal.
Este vídeo é um dom de Maria de Lourdes Freire, um querida amiga de Facebook.
Minha Conta Facebook: Ricardo M. Marcenaro.
Graças Maria de Portugal.
Lyrics:
After all the time
After you
Had you seen me with someone new
Hanging so high for your return
But the stillness is a burn
Had I seen it in your eyes
There'd have been no try after try
Your leaving had no goodbye
Had I just seen one in your eyes
I can't give it up
To someone elses touch
Because I care too much
Could you tell
I was left lost and lonely
Could you tell
Things ain't worked out my way
Wish the best for you
Wish the best for me
Wished for infinity
If that ain't me
Give it up
I can't give it up
I can't give it up
To someone elses touch
Because I care too much
Give it up
I can't give it up
Painter: Bosch Hieronymus. Part 9
San Antonio
St. Bavo. Right outer wing of the Last Judgement. Grisaille on panel. 1500s.
St. Christopher Carrying the Christ Child. 1480-1490. Oil on panel. Museum Boymans-van Beuningen
St. James the Greater. Left outer wing of the Last Judgement. 1500s. Grisaille on panel
Tabletop of the Seven Deadly Sins and the Four Last Things. 1485. Oil on panel.
St. Bavo. Right outer wing of the Last Judgement. Grisaille on panel. 1500s.
St. Christopher Carrying the Christ Child. 1480-1490. Oil on panel. Museum Boymans-van Beuningen
St. James the Greater. Left outer wing of the Last Judgement. 1500s. Grisaille on panel
Tabletop of the Seven Deadly Sins and the Four Last Things. 1485. Oil on panel.
Painter: Canaletto Giovanni Antonio Canadle (1697 - 1768) Part 6
Old Walton Bridge. 1754. Oil on canvas. Dulwich Picture Gallery, London, UK.
Piazza San Marco Looking East from the North-West Corner. c.1760. Oil on canvas. The National Gallery of Art, Washington. USA.
Piazza San Marco Looking East from the South-West Corner. c.1760. Oil on canvas. The National Gallery of Art, Washington. USA.
Piazza San Marco Looking South-East. 1735-40. Oil on canvas. The National Gallery of Art, Washington. USA.
Piazza San Marco Looking South-West. 1750s. Oil on canvas. Wadsworth Atheneum, Hartford, CT
Piazza San Marco Looking East from the North-West Corner. c.1760. Oil on canvas. The National Gallery of Art, Washington. USA.
Piazza San Marco Looking East from the South-West Corner. c.1760. Oil on canvas. The National Gallery of Art, Washington. USA.
Piazza San Marco Looking South-East. 1735-40. Oil on canvas. The National Gallery of Art, Washington. USA.
Piazza San Marco Looking South-West. 1750s. Oil on canvas. Wadsworth Atheneum, Hartford, CT