martes, 29 de mayo de 2012

NASA: United States - New Mexico - Fire Rages in Gila National Forest

Click the photo to enlarge it
Fire Rages in Gila National Forest
acquired May 23, 2012 download large image (837 KB, JPEG, 3800x2800)
acquired May 23, 2012 download GeoTIFF file (14 MB, TIFF)
acquired May 23, 2012 download Google Earth file (KMZ)
Wildfire season is in full swing in the southwestern region of the United States. The image above shows the Whitewater-Baldy Fire Complex, a large blaze burning in a mountainous part of Gila National Forest in western New Mexico. The rapidly expanding fire, which started with a lightning strike, had burned more than 10,000 acres (16 square miles) by May 24, 2012. The Moderate Resolution Imaging Spectroradiometer (MODIS) on NASA’s Aqua satellite acquired the image at 2:40 p.m. local time (20:40 UTC) on May 23, 2012.
Desert grasslands and scrub forests (tan) dominate the lower elevations at Gila, but at higher elevations coniferous forests (green) full of white fir, blue spruce, and Douglas fir thrive. The amount of smoke the fire released increased as it encountered the coniferous forests at high elevations. When MODIS captured this image, the fire was burning through a densely-forested area around Willow Mountain, a 3,280-meter (10,760-foot) peak in the Mogollon Mountains. The Plains of San Agustin, a dried lake bed with minimal vegetation, is also visible near the top of the image. The plain is home to a world-famous radio telescope facility used by astronomers called the Very Large Array.
Strong winds pushed wildfire smoke across much of southwestern New Mexico. The area is sparsely populated, but on May 22, 2012, authorities ordered a precautionary evacuation of Willow Creek, a campground and summer community just north of the fire. Two days later, the fire had destroyed twelve summer homes and seven outbuildings at Willow Creek. Strong winds and rugged terrain have proven significant obstacles for crews attempting to fight the blaze.
Drought put much of New Mexico and Arizona at risk of wildfire. The National Center for Drought Mitigation produces daily maps based in part on data from the Gravity Recovery and Climate Experiment (GRACE) that indicated more than half of New Mexico was in the midst of severe or moderate drought. Numerous other large fires have burned recently in Arizona.
The rest of the 2012 fire season in the Southwest will likely be busy, according to the Climate Prediction Center at the National Oceanic and Atmospheric Administration. As Climate Central noted, the region is expected to face an unusually hot and dry summer due to back-to-back La Niña events in the South Pacific.
While the fire season in the Southeast has gotten off to an early start, the total number of fires and acreage burned nationally to date is below average, according to statistics from the National Interagency Fire Center (NIFC). However, the group notes there’s a higher than normal risk that large fires will occur in eastern Arizona and western New Mexico through August.
NASA image courtesy Jeff Schmaltz, MODIS Rapid Response Team, Goddard Space Flight Center. Caption by Adam Voiland.
Instrument: 
Aqua - MODIS



lunes, 28 de mayo de 2012

Ceramic - Ceramica: Mata Ortiz pottery - Ceramica Mata Ortiz - Designers - Diseñadores: Hector Gallegos - Links























 - 29 Abr
Juan Mata Ortiz es una localidad del estado mexicano de Chihuahua, localizada a unos 35 kilómetros al suroeste de Casas Grandes, en las cercanías de las ...
es.wikipedia.org/wiki/Mata_Ortiz -
En caché - Similares


Ir a Pottery movement‎: This new artistic movement is due to the efforts of Juan Quezada, the self-taught originator of modern Mata Ortiz pottery, ...
en.wikipedia.org/wiki/Mata_Ortiz -
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Poesia: Johann Wolfgang von Goethe - La Despedida






La despedida (1)


¡Deja que adiós te diga con los ojos,
ya que a decirlo niéganse mis labios
¡La despedida es una cosa seria
aun para un hombre, como yo, templado!
Triste en el trance se nos hace, incluso
del amor la más dulce y tierna prueba;
frío se me antoja el beso de tu boca
floja tu mano, que la mía estrecha.
¡La caricia más leve, en otro tiempo
furtiva y volandera, me encantaba!
Era algo así cual la precoz violeta,
que en marzo en los jardines arrancaba.
Ya no más cortaré fragantes rosas
para con ellas coronar tu frente.
Paquita es primavera, pero otoño
para mí, por desgracia, será siempre.



(1) Der Abschied. Compuesta en 1770, cuando Goethe, al trasladarse a Estrasburgo, hubo de despedirse de Francisca Crespel.






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domingo, 27 de mayo de 2012

Poetry: William Wordsworth - Lines - Links









LINES

Left upon a seat in a YEW−TREE, which stands near the
Lake of ESTHWAITE, on a desolate part of the shore,
yet commanding a beautiful prospect.

—Nay, Traveller! rest. This lonely yew−tree stands
Far from all human dwelling: what if here
No sparkling rivulet spread the verdant herb;
What if these barren boughs the bee not loves;
Yet, if the wind breathe soft, the curling waves,
That break against the shore, shall lull thy mind
By one soft impulse saved from vacancy.

—Who he was
That piled these stones, and with the mossy sod
First covered o'er and taught this aged tree
With its dark arms to form a circling bower,
I well remember.—He was one who owned
No common soul. In youth by science nursed
And led by nature into a wild scene
Of lofty hopes, he to the world went forth,
A favored being, knowing no desire
Which genius did not hallow, 'gainst the taint
Of dissolute tongues, and jealousy, and hate
And scorn, against all enemies prepared.
All but neglect. The world, for so it thought,
Owed him no service: he was like a plant
Fair to the sun, the darling of the winds,
But hung with fruit which no one, that passed by,
Regarded, and, his spirit damped at once,
With indignation did he turn away
And with the food of pride sustained his soul
In solitude.—Stranger! these gloomy boughs
Had charms for him; and here he loved to sit,
His only visitants a straggling sheep,
The stone−chat, or the glancing sand−piper;
And on these barren rocks, with juniper,
And heath, and thistle, thinly sprinkled o'er,
Fixing his downcast eye, he many an hour
A morbid pleasure nourished, tracing here
An emblem of his own unfruitful life:
And lifting up his head, he then would gaze
On the more distant scene; how lovely 'tis
Thou seest, and he would gaze till it became
Far lovelier, and his heart could not sustain
The beauty still more beauteous. Nor, that time
When Nature had subdued him to herself
Would he forget those beings, to whose minds,
Warm from the labours of benevolence,
The world, and man himself, appeared a scene
Of kindred loveliness: then he would sigh
With mournful joy, to think that others felt
What he must never feel: and so, lost man!
On visionary views would fancy feed,
Till his eye streamed with tears. In this deep vale
He died, this seat his only monument.

If thou be one whose heart the holy forms
Of young imagination have kept pure,
Stranger! henceforth be warned; and know, that pride,
Howe'er disguised in its own majesty,
Is littleness; that he, who feels contempt
For any living thing, hath faculties
Which he has never used; that thought with him
Is in its infancy. The man, whose eye
Is ever on himself, doth look on one,
The least of nature's works, one who might move
The wise man to that scorn which wisdom holds
Unlawful, ever. O, be wiser thou!
Instructed that true knowledge leads to love,
True dignity abides with him alone
Who, in the silent hour of inward thought,
Can still suspect, and still revere himself,
In lowliness of heart.







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Poesia: Antonio Machado - Cante Hondo - Links





Antonio Machado



CANTE HONDO

Yo meditaba absorto, devanando
los hilos del hastío y la tristeza,
cuando llegó a mi oído,
por la ventana de mi estancia, abierta

a una caliente noche de verano,
el plañir de una copla soñolienta,
quebrada por los trémolos sombríos
de las músicas magas de mi tierra.

...Y era el Amor, como una roja llama...
-Nerviosa mano en la vibrante cuerda
ponía un largo suspirar de oro,
que se trocaba en surtidor de estrellas-.

...Y era la Muerte, al hombro la cuchilla,
el paso largo, torva y esquelética.
-Tal cuando yo era niño la soñaba-.

Y en la guitarra resonante y trémula,
la brusca mano, al golpear, fingía
el reposar de un ataúd en tierra.

Y era un plañido solitario el soplo
que el polvo barre y la ceniza alienta.







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viernes, 25 de mayo de 2012

Poesie - Poesia: Paul Verlaine - Le Foyer. la Lueur etroite de la lampe - El hogar y la lámpara de resplandor pequeño - Française - Español






Le foyer, la lueur étroite de la lampe...

Le foyer, la lueur étroite de la lampe ;
La rêverie avec le doigt contre la tempe
Et les yeux se perdant parmi les yeux aimés ;
L'heure du thé fumant et des livres fermés ;
La douceur de sentir la fin de la soirée ;
La fatigue charmante et l'attente adorée ;
De l'ombre nuptiale et de la douce nuit,
Oh ! tout cela, mon rêve attendri le poursuit
Sans relâche, à travers toutes remises vaines,
Impatient mes mois, furieux des semaines !



El hogar y la lámpara de resplandor pequeño...

El hogar y la lámpara de resplandor pequeño;
la frente entre las manos en busca del ensueño;
y los ojos perdidos en los ojos amados;
la hora del té humeante y los libros cerrados;
el dulzor de sentir fenecer la velada,
la adorable fatiga y la espera adorada
de la sombra nupcial y el ensueño amoroso.
¡Oh! ¡Todo esto, mi ensueño lo ha perseguido ansioso,
sin descanso, a través de mil demoras vanas,
impaciente de meses, furioso de semanas!


Versión de Luis Garnier




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jueves, 24 de mayo de 2012

Painter: MANET Edouard part 3



 Manet 
Dead of Christ

 Manet 
Dead of Christ
Left Hand Met
 
 Manet 
Dead of Christ
Right Hand Met

Familia de Monet en sus jardines de Argenteuil



Manet


Manet
Bar

Manet 
Dejeuner sur herbe

Manet
Musique










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Poesia: Federico Garcia Lorca in italiano - Canzone Primaverile - Links





CANZONE PRIMAVERILE

I
Escono allegri i bambini
dalla scuola,
lanciando nell'aria tiepida
d'aprile tenere canzoni.
Quanta allegria nel profondo
silenzio della stradina!
Un silenzio fatto a pezzi
da risa d'argento nuovo.

II
Vado pel cammino della sera,
tra i fiori dell'orto,
lasciando sulla strada
l'acqua della mia tristezza.
Sul monte solitario
un cimitero di paese
sembra un campo seminato
di semi di teschi.
E sono fioriti cipressi
come teste giganti
che con orbite vuote
e chiome verdognole
pensosi e dolenti
l'orizzonte contemplano.
Divino aprile, che vieni
carico di sole e di essenze,
colma di nidi d'oro
i teschi fioriti!

Granada, 28 marzo 1919








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