viernes, 8 de marzo de 2013

NASA: US - Record Snowfall in North Texas 8.3.13

Record Snowfall in North Texas
  download large image (442 KB, JPEG, 1440x960)
The winter of 2012-2013 has been marked by powerful snowstorms with record-setting snowfall throughout much of the Midwestern United States. This astronaut photograph features the southern high plains of north Texas, directly south of the city of Amarillo (off the image to the north). The snowstorm that passed through this area left a record snowfall of approximately 43 centimeters (17 inches).
In this photo from the International Space Station, snow blankets the city of Canyon, Texas. Urban street grids and stream channels appear etched into the landscape by the snow, a result of both melting and street clearing in the urban regions and of the incised nature of stream channels in the surrounding plains. Agricultural fields are easily identified due to the even snow cover broken only by roadways between the fields. Palo Duro Canyon is largely free of snow along the Prairie Dog Town Fork of the Red River channel and at lower elevations, allowing the red sedimentary rocks of the canyon walls to be visible.
Lake Tanglewood, a reservoir to the northeast of Canyon appears dark due to a lack of ice cover. Another dark region to the northwest of Canyon is a feed yard for cattle; any snowfall is this area has been removed by the actions of the livestock.


NASA: US - Record Snowfall in North Texas 8.3.13





Poetry: Alfred Tennyson - And ask ye why these sad tears stream - A Farewell - After-Thought - Links






'And ask ye why these sad tears stream?'

‘Te somnia nostra reducunt.’
OVID.

And ask ye why these sad tears stream?
Why these wan eyes are dim with weeping?
I had a dream–a lovely dream,
Of her that in the grave is sleeping.

I saw her as ’twas yesterday,
The bloom upon her cheek still glowing;
And round her play’d a golden ray,
And on her brows were gay flowers blowing.

With angel-hand she swept a lyre,
A garland red with roses bound it;
Its strings were wreath’d with lambent fire
And amaranth was woven round it.

I saw her mid the realms of light,
In everlasting radiance gleaming;
Co-equal with the seraphs bright,
Mid thousand thousand angels beaming.

I strove to reach her, when, behold,
Those fairy forms of bliss Elysian,
And all that rich scene wrapt in gold,
Faded in air–a lovely vision!

And I awoke, but oh! to me
That waking hour was doubly weary;
And yet I could not envy thee,
Although so blest, and I so dreary.



A Farewell

Flow down, cold rivulet, to the sea,
Thy tribute wave deliver:
No more by thee my steps shall be,
For ever and for ever.

Flow, softly flow, by lawn and lea,
A rivulet then a river:
Nowhere by thee my steps shall be
For ever and for ever.

But here will sigh thine alder tree
And here thine aspen shiver;
And here by thee will hum the bee,
For ever and for ever.

A thousand suns will stream on thee,
A thousand moons will quiver;
But not by thee my steps shall be,
For ever and for ever.



After-Thought

I thought of Thee, my partner and my guide,
As being past away. -Vain sympathies!
For backward, Duddon! as I cast my eyes,
I see what was, and is, and will abide;
Still glides the Stream, and shall not cease to glide;
The Form remains, the Function never dies;
While we, the brave, the mighty, and the wise,
We Men, who in our morn of youth defied
The elements, must vanish; -be it so!
Enough, if something from our hands have power
To live, and act, and serve the future hour;
And if, as toward the silent tomb we go,
Through love, through hope, and faith's transcendent dower,
We feel that we are greater than we know. 


 Poetry: Alfred Tennyson - And ask ye why these sad tears stream - A Farewell - After-Thought - Links


English:

Sapnish:









Music: Ane Brun - Armour - Round table conference - Gillian - Lyrics - Bio data in English y Español


 Ane Brun
 

 Armour

Welcome, my dear friend
I notice you are wearing your armour again
Is it the same as our last fight
Is it residue from last night

Well, I guess I have extended it
I tried to bend it a bit
There was a crack under the chest frame
And a loose screw on the left steel hand

I have to be patient now
I'll wear this edition somehow
Tell myself that it's alright
Pick up the loose screws one more time

Cause this armour's different pieces
Were delivered from different places
With their own delivery dates
I have no choice but to wait
 


 Round table conference

 There's a round table conference going on
Right here in my living room
I've been caught behind the door for so long
I don't even know who is coming in

All I can hear are these mysterious words
I am feeling delirious
I got to get out of here
To where the air is clearer

There's a round table conference going on
Right here in my living room
I've been caught behind the door for so long
I don't even know who is coming in

There are streams of people passing through my door
I can't count them anymore
I don't understand where they're going or where they've been
I don't even know why I let them in


Ane Brun (Norwegian pronunciation: [ɑnə brʉn]) (born Ane Brunvoll on 10 March 1976 in Molde, Norway) is a songwriter, guitarist and vocalist, daughter of lawyer Knut Anker Brunvoll (b. 1945) and jazz singer and pianist Inger Johanne Brunvoll (b. Kvien), and the older sister of vocalist Mari Kvien Brunvoll (b. 1984) and younger sister of photographer Bjørn Brunvoll (b. 1973).[1][2] Since 2003 she has recorded eight albums, six of which are studio albums (including a collection of duets) and one live DVD. She has lived in Stockholm, Sweden since 2001, where she writes, records and runs her own label (Balloon Ranger Recordings) when not on tour.[3]

History

After growing up in Molde, Norway she moved from her home town in 1995 and spent the next few years moving between Barcelona, Oslo and Bergen. In Bergen she began writing her own material while at university (jumping between courses in Spanish, law and music) as well as making a living working in record shops and bars.

After playing a few minor shows and recording her first demos in Bergen in 1999, she moved to Sweden, first to Uppsala and then to Stockholm in 2001, where she started to take her musical career seriously.

Ane recorded her debut album Spending Time with Morgan in 2002 in both Stockholm and back in Uppsala, with engineers and producers Katharina Nuttall, Cécile Grudet and Kim Nelson. It was released on the label, DetErMine, which she formed with Ellekari Larsson from Swedish band The Tiny. The debut album came out in 11 European countries in 2003 through a licence/distribution deal with V2 Music.[3]

After releasing the first album Ane toured around Europe but soon took some time out. She had been working intensively for two years and felt somewhat burnt out and in need of a break. After a six month breather she started touring around Europe again and within the next year had her second album ready. A Temporary Dive was again produced by Katharina Nuttall and was released in 2005 throughout Europe, followed by the UK and the US in 2006, and in Japan in 2007. This album took the darker themes of Spending Time With Morgan further, through songs like "The Fight Song" and title track "A Temporary Dive", but there was also space for the lighter "Song No. 6", a duet with Ron Sexsmith.

A Temporary Dive was well received all over the world, picking up good reviews in magazines and newspapers from Time Magazine to The Independent. She received award nominations from all over Europe too, and that year took home the Spellemannpris, the equivalent of the Norwegian Grammies, for Best Female Artist.[4]

After enjoying the collaboration on the previous few duets she had recorded, Ane was inspired to ask some artists whom she adored to sing with her on a full album called Duets. This album was released in November 2005 and besides another recording with Ron Sexsmith it also included songs with artists such as Syd Matters and Teitur. The collaboration with the band Madrugada on the single "Lift Me" gained her another Norwegian Grammy.[4]

Ane spent much of the next couple of years touring the world in many different stage arrangements. She has played with a full band including string section, just herself and string section at times, sometimes just a cello, perhaps with one backing vocalist – or maybe three. Of course it all started with her and the acoustic guitar, so she often ends up coming back to these solo performances too. "There is something about the focus in playing by myself that fascinates me", she says. "There’s nothing to hide behind when I’m alone on stage and it becomes almost meditative for me when I play."

One of her tours was with a string quintet, and it was recorded and released as Live in Scandinavia (2007) and featured Nina Kinert and the guitarist Staffan Johansson. The album includes songs from Ane's first two albums with new string arrangements by Malene Bay-Foged.

In 2008 she released her third studio album, Changing of the Seasons, which was produced by Valgeir Sigurðsson (Bonnie 'Prince' Billy, Múm, Coco Rosie). It included string arrangements by American composer Nico Muhly (Antony and the Johnsons, Grizzly Bear, The Reader soundtrack). Later the same year came the album Sketches which included acoustic, demo versions of the songs on Changing of the Seasons. The Sketches tour featured a stripped down, sparse sound and now touring with musicians Rebekka Karijord, Jennie Abrahamson and Linnea Olsson, there were memorable gigs in places such as the Union Chapel in London.[4]

Back on the road, a concert at the Stockholm Concert Hall was filmed and released as an album and live DVD in 2009. Late in 2009, Ane organised the No More Lullabies concert to bring attention to the issues of climate justice. She assembled 24 well-known Swedish artists such as Robyn, Loney, Dear, Titiyo and Benny Andersson of ABBA to take part in seven hours of live music and visuals to mark the International Day of Climate Action on October 24, 2009. They succeeded in drawing attention to the issue before the upcoming COP15 conference.[4]

Ane featured as one of the guests on Peter Gabriel's 2011 studio album New Blood, singing on the re-recorded version of "Don't Give Up", recorded in 2010. She was subsequently invited to perform with him as support act and back-up singer on the New Blood tour throughout 2010.

In late 2011 Ane released her sixth studio album It All Starts with One, produced by Tobias Fröberg.

From Wikipedia, the free encyclopedia

http://en.wikipedia.org/wiki/Ane_Brun  


Gillian


Gillian played me a song,
It was that day when everything was wrong.
Gillian singing in my heart, in my ears
And tears running down.
I was facing the ground.

Gillian played me a song,
I was so tired, then the music caressed my skin,
Like when someone finally holds you,
And you can give in. This you've been avoiding.
You think you'll fall hard,
But it's just that new start.

She sang about Elvis, she sang about time.
Gillian sang about Miss Ohio
And the last remaining song.
I stretch my rigid fingers, I clear my throat
This will be all over soon.

Now this is long ago,
I listen to her and I go back
To that day, that month, that year,
That day will never leave my mind
Gillian played me a song.

Gillian played me a song,
It was that day when everything was wrong.
Gillian singing in my heart, in my ears
And tears running down.
I was facing the ground.

She sang about Elvis, she sang about time.
Gillian sang about Miss Ohio
And the last remaining song,
I stretch my rigid fingers, I clear my throat
This will be all over soon.
This will be all over soon
 


 

Ane Brun es el nombre artístico de Ane Brunvoll, una compositora, cantante y guitarrista nacida en Molde, Noruega el 10 de marzo de 1976. Ha vivido en las ciudades de Barcelona, Oslo y Bergen. Actualmente vive en Estocolmo, Suecia.

Su álbum debut, titulado "Spending Time with Morgan'" consiguió muy buenas críticas y fue lanzado en toda Europa en 2003. Fue nominado en los premios de la música sueca Manifiesto 2003. Su segundo álbum "A Temporary Dive" fue lanzado en Europa, EE.UU. y Japón. Recibió críticas positivas en todo el mundo, y le dio un Grammy noruego a la mejor Artista Femenina de 2005. En noviembre de 2005 lanzó "Duets" un álbum compuesto por 10 duetos con otros 10 artistas. El single "Lift me" con la banda noruega Madrugada le dio otro Grammy noruego. La acompañaron en este álbum Teitur, Tobias Fröberg, Liv Widell, Wendy McNeill, Ron Sexsmith, Syd Matters, Tingsek, Ellekari Larsson de The Tiny, Madrugada y Lars Bygden. Durante el invierno boreal de 2007 lanza su primer disco en vivo, "Live in Scandinavia con nuevos arreglos de sus 3 primeros discos. En 2008 lanza un nuevo álbum '"Changing of the Seasons", producido por Valgeir Sigurdsson (Björk, Múm, Bonnie Prince Billy, Coco Rosie) y al año siguiente "Sketches" con las versiones acústicas del anterior. Su primer DVD es lanzado en 2009, “Ane Brun live at Stockholm Concert Hall” y registra sus conciertos de Estocolmo de octubre de 2008. En 2010 es la artista soporte de la gira mundial de Peter Gabriel, Scratch My Back.

Álbumes

    Spending Time with Morgan (2003)
    A Temporary Dive (2005)
    Duets (2005)
    Live in Scandinavia (2007)
    Changing of the Seasons (2008)
    Sketches (2008)
    Live at Stockholm Concert Hall (2009)
    It all starts with one (2011)

EP

    My Lover Will Go (2004)

Music: Ane Brun - Armour - Round table conference - Gillian - Lyrics - Bio data in English y Español

 

jueves, 7 de marzo de 2013

NASA: Australia - Flooding along the De Grey River - Piccaninny Impact Structure. Western Australia

Flooding along the De Grey River
acquired March 4, 2013 download large image (2 MB, JPEG, 4096x2504)
Flooding along the De Grey River
acquired February 21, 2013 download large image (1 MB, JPEG, 4096x2504)
acquired March 4, 2013 download Google Earth file (KMZ)
Tropical Cyclone Rusty made landfall in northwestern Australia in late February 2013, coming ashore east of Port Hedland and bringing strong winds to the community of Pardoo. Rusty also carried heavy rains, and in early March, the Australian Bureau of Meteorology issued a flood warning for the catchment of the De Gray River.
Higher water the wake of Rusty was apparent on March 4, 2013, when the Moderate Resolution Imaging Spectroradiometer (MODIS) on NASA’s Terra satellite captured the top image. For comparison, the bottom image shows conditions observed before the storm, on February 21, 2013. Both images use a combination of visible and infrared light to better distinguish between water and land. Water varies in color from pale blue-green to navy, and darker shades of blue indicate greater water depths. Vegetation is bright green and bare ground is earth-toned. Clouds are nearly white and cast shadows. (In the image acquired on February 21, the ocean has a relatively light, striped appearance. This is due to sunlight bouncing off the ocean surface and into the satellite sensor, accentuating sensor scan lines.)
On February 21, the De Grey River was barely visible in MODIS imagery. On March 4, the river’s channels showed up clearly. High water also pooled near the coast between Port Hedland and Pardoo. The dark shades of blue along the coast in the March 4 image indicate that the flood water was relatively deep.
Flooded rivers typically carry heavy loads of sediment, and a sediment plume appeared at the river mouth on March 4. In this false-color imagery, the sediment appears electric blue. MODIS on NASA’s Aqua satellite captured natural-color imagery of the sediment plume on March 3.
  1. References

  2. Australian Government Bureau of Meteorology. (2013, March 4) Flood Warning for De Grey River. Accessed March 4, 2013.
  3. News.com.au. (2013, February 28) Pardoo cops Rusty’s full force, Port Hedland spared the worst. Accessed March 4, 2013.
  4. Tropical Rainfall Measuring Mission. (2013, February 28) Top Story: Tropical Cyclone Rusty’s Flooding Rainfall. Accessed March 4, 2013.
  5. Unisys Weather. (2013, February 27) Rusty Tracking Information. Accessed March 4, 2013.
NASA images courtesy LANCE MODIS Rapid Response. Caption by Michon Scott.
Instrument: 
Terra - MODIS

Piccaninny Impact Structure, Western Australia
acquired January 15, 2013 download large image (435 KB, JPEG, 1440x960)
The whole world took notice of meteor impacts after the spectacular event over Russia’s Ural Mountains on February 15, 2013. While the Chelyabinsk meteor exploded while entering the atmosphere, impact craters document the locations where meteors survive the transit through the atmosphere to crash onto the surface. While some meteor impact locations are readily recognizable from orbit as distinct circular structures—such as Barringer Crater in Arizona—most are harder to recognize because erosion, tectonic alteration of the landscape, or human land use obscure the features.
In cases where only the eroded remnants of a potential impact crater have been recognized, the terms “impact structure” or “astrobleme” are used. Such is the case for the Piccaninny Impact Structure, located in northern Western Australia and featured in this astronaut photograph. This is the first confirmed image of the impact structure taken from the International Space Station (ISS).
The Piccaninny structure is located within the semi-arid Purnululu National Park and World Heritage Site, and is thought to have been formed less than 360 million years ago. Specifically, the 7.5 kilometer (4.7 mile) diameter structure forms a roughly circular plateau (approximate extent marked by the white ellipse) within the sandstone cone towers of the Bungle Bungle Range. Geological evidence of an impact structure includes regional folding and faulting patterns both within and surrounding the plateau. Features confirming an impact, such as shock textures in rocks and minerals (indicating rapid compression, melting, and fracturing (large TIF download) during impact) have not yet been found. This is perhaps due to removal during erosion of an original crater.
Surface soils of the sparsely vegetated valley adjacent to the Bungle Bungle Range appear a reddish brown at image right. More abundant green vegetation is recognizable in riparian areas along major stream and river channels, such as the Ord River (image right).
Astronaut photograph ISS034-E-29105 was acquired on January 15, 2013, with a Nikon D3S digital camera using a 180 millimeter lens, and is provided by the ISS Crew Earth Observations experiment and Image Science & Analysis Laboratory, Johnson Space Center. The image was taken by the Expedition 34 crew. It has been cropped and enhanced to improve contrast, and lens artifacts have been removed. The International Space Station Program supports the laboratory as part of the ISS National Lab to help astronauts take pictures of Earth that will be of the greatest value to scientists and the public, and to make those images freely available on the Internet. Additional images taken by astronauts and cosmonauts can be viewed at the NASA/JSC Gateway to Astronaut Photography of Earth. Caption by William L. Stefanov, Jacobs/ESCG at NASA-JSC.
Instrument: 
ISS - Digital Camera
NASA: Australia - Flooding along the De Grey River - Piccaninny Impact Structure. Western Australia

Painter: Edouard Manet - Part 4

Argenteuil


 Balcon


 Chasseur


 Dejeunuer


 Eventails


 Hamlet


 Lathuile


 Lola


Longchamp



Painter: Edouard Manet - Part 4




Painter: Klee Paul - Part 18 - Links

 Paul Klee Little Jester in a Trance. 1929


 Paul Klee Biegacz na mecie 1921


 Paul Klee Mit o wyspie 1930


 Paul Klee Moonrise over St. Germain (Tunis), 1915


 Paul Klee Monument in Fertile Country. 1929


 Paul Klee Mozliwosci nad morzem 1932


 Paul Klee Mural from the Temple of Longing, 1922


 Paul Klee Nocturnal festivity


 Paul Klee Nowe domy 1919


 Paul Klee Ogrod rozany 1920


 Paul Klee Ogrod w czerwieni 1920


 Paul Klee On a Motif from Hamamet


 Paul Klee Opowiesc a la hoffmann 1921


 Paul Klee Panna z saksonii 1922


 Paul Klee Park 1920


Paul Klee Rybi ludzie 1927











miércoles, 6 de marzo de 2013

Gedicht: Heinrich Heine - Ach, die Augen sind es wieder - Ach, wenn ich nur der Schemel wär - Abenddämmerung - Abenddämmerung - Affrontenburg - Links





Ach, die Augen sind es wieder


LXXVII

Ach, die Augen sind es wieder,
Die mich einst so lieblich grüßten,
Und es sind die Lippen wieder,
Die das Leben mir versüßten!

Auch die Stimme ist es wieder,
Die ich einst so gern gehöret!
Nur ich selber bins nicht wieder,
Bin verändert heimgekehret.

Von den weißen, schönen Armen
Fest und liebevoll umschlossen,
Lieg ich jetzt an ihrem Herzen,
Dumpfen Sinnes und verdroßen.


    
Ach, wenn ich nur der Schemel wär

XXXIV

(Der Kopf spricht:)

Ach, wenn ich nur der Schemel wär,
Worauf der Liebsten Füße ruhn!
Und stampfte sie mich noch so sehr,
Ich wollte doch nicht klagen tun.

(Das Herz spricht:)

Ach, wenn ich nur das Kißchen wär,
Wo sie die Nadeln steckt hinein!
Und stäche sie mich noch so sehr,
Ich wollte mich der Stiche freun.

(Das Lied spricht:)

Ach, wär ich nur das Stück Papier,
Das sie als Papillote braucht!
Ich wollte heimlich flüstern ihr
Ins Ohr, was in mir lebt und haucht.



Abenddämmerung

Am blassen Meeresstrande
Saß ich gedankenbekümmert und einsam.
Die Sonne neigte sich tiefer, und warf
Glührote Streifen auf das Wasser,
Und die weißen, weiten Wellen,
Von der Flut gedrängt,
Schäumten und rauschten näher und näher -
Ein seltsam Geräusch, ein Flüstern und Pfeifen,
Ein Lachen und Murmeln, Seufzen und Sausen,
Dazwischen ein wiegenliedheimliches Singen -
Mir war, als hört ich verschollne Sagen,
Uralte, liebliche Märchen,
Die ich einst, als Knabe,
Von Nachbarskindern vernahm,
Wenn wir am Sommerabend,
Auf den Treppensteinen der Haustür,
Zum stillen Erzählen niederkauerten,
Mit kleinen horchenden Herzen
Und neugierklugen Augen; -
Während die großen Mädchen,
Neben duftenden Blumentöpfen,
Gegenüber am Fenster saßen,
Rosengesichter,
Lächelnd und mondbeglänzt.



Affrontenburg

Die Zeit verfließt, jedoch das Schloß,
Das alte Schloß mit Turm und Zinne
Und seinem blöden Menschenvolk,
Es kommt mir nimmer aus dem Sinne.

Ich sehe stets die Wetterfahn,
Die auf dem Dach sich rasselnd drehte.
Ein jeder blickte scheu hinauf,
Bevor er nur den Mund auftäte.

Wer sprechen wollt, erforschte erst
Den Wind, aus Furcht, es möchte plötzlich
Der alte Brummbär Boreas
Anschnauben ihn nicht sehr ergötzlich.

Die Klügsten freilich schwiegen ganz -
Denn ach, es gab an jenem Orte
Ein Echo, das im Wiederklatsch
Boshaft verfälschte alle Worte.

Inmitten im Schloßgarten stand
Ein sphinxgezierter Marmorbronnen,
Der immer trocken war, obgleich
Gar manche Träne dort geronnen.

Vermaledeiter Garten! Ach,
Da gab es nirgends eine Stätte,
Wo nicht mein Herz gekränket ward,
Wo nicht mein Aug geweinet hätte.

Da gabs wahrhaftig keinen Baum,
Worunter nicht Beleidigungen
Mir zugefüget worden sind
Von feinen und von groben Zungen.

Die Kröte, die im Gras gelauscht,
Hat alles mitgeteilt der Ratte,
Die ihrer Muhme Viper gleich
Erzählt, was sie vernommen hatte.

Die hats gesagt dem Schwager Frosch -
Und solcherweis erfahren konnte
Die ganze schmutzge Sippschaft stracks
Die mir erwiesenen Affronte.

Des Gartens Rosen waren schön,
Und lieblich lockten ihre Düfte;
Doch früh hinwelkend starben sie
An einem sonderbaren Gifte.

Zu Tod ist auch erkrankt seitdem
Die Nachtigall, der edle Sprosser,
Der jenen Rosen sang sein Lied; -
Ich glaub, vom selben Gift genoß er.

Vermaledeiter Garten! Ja,
Es war, als ob ein Fluch drauf laste;
Manchmal am hellen lichten Tag
Mich dort Gespensterfurcht erfaßte.

Mich grinste an der grüne Spuk,
Er schien mich grausam zu verhöhnen,
Und aus den Taxusbüschen drang
Alsbald ein Ächzen, Röcheln, Stöhnen.

Am Ende der Allee erhob
Sich die Terrasse, wo die Wellen
Der Nordsee, zu der Zeit der Flut,
Tief unten am Gestein zerschellen.

Dort schaut man weit hinaus ins Meer.
Dort stand ich oft in wilden Träumen.
Brandung war auch in meiner Brust -
Das war ein Tosen, Rasen, Schäumen -

Ein Schäumen, Rasen, Tosen wars,
Ohnmächtig gleichfalls wie die Wogen,
Die kläglich brach der harte Fels,
Wie stolz sie auch herangezogen.

Mit Neid sah ich die Schiffe ziehn
Vorüber nach beglückten Landen -
Doch mich hielt das verdammte Schloß
Gefesselt in verfluchten Banden.

Heinrich Heine


Gedicht: Heinrich Heine - Ach, die Augen sind es wieder - Ach, wenn ich nur der Schemel wär - Abenddämmerung - Abenddämmerung - Affrontenburg - Links



Deutsche:

Music: Los Jaivas - Alturas de Machu Picchu - Todos Juntos - Aguila sideral - Mamalluca - Mira Niñita - Lyrics

Los Jaivas
Chile
 
Los Jaivas - Alturas de Machu Picchu

Sube a nacer conmigo hermano
dame la mano desde la profunda zona
de tu dolor diseminado
no volverás, del fondo de las rocas
no volverás, del tiempo subterráneo
no volverá tu voz endurecida
no volverán tus ojos taladrados

Sube a nacer conmigo hermano
mírame desde el fondo de la tierra
labrador, tejedor, pastor callado
domador de guanacos tutelares
albañil del andamio desafiado
aguador de las lágrimas andinas
joyero de los dedos machacados
agricultor temblando en la semilla
alfarero en tu greda derramado
tráeme la copa de esta nueva vida
vuestros viejos dolores enterrados

Sube a nacer conmigo hermano
mostradme vuestra sangre y vuestro surco
decidme aquí fui castigado
porque la joya no brilló
o la tierra no entregó a tiempo
la piedra o el grano
señaladme la piedra en que caíste
y la madera en que os crucificaron
enseñadme los viejos pedernales
las viejas lámparas los látigos pegados
a través de los siglos en las llagas
y las hachas de brillo ensangretado

Yo vengo a hablar por vuestra boca muerta
contadme todo cadena a cadena
eslabón a eslabón, paso a paso
afilad los cuchillos que guardastéis
ponedlos en mi pecho y en mi mano
como un río de rayos amarillos
como un río de tigres enterrados
y dejadme llorar
horas, días, años
edades ciegas
siglos estelares
 

Al inicio el peruano Mario Vargas LLosa con una introduccion de lo que fue el gran Imperio Inca. Los Jaivas es una banda chilena de dificil clasificacion, aunque se podria decir de Folk Rock (en el Reino Unido fue denominada "Rock Jazz Inca Folk")

Alturas de Macchu Picchu es un album de Los Jaivas, probablemente el mas importante y popular de toda su discografia. En el, el grupo musicaliza el popular poema de Pablo Neruda, del mismo titulo, aparecido en su libro Canto General, de 1950. En este poema, el poeta canta, subyugado por la grandeza de la creacion humana que el atestigua en las ruinas de Macchu Picchu, en Peru, sobre el glorioso pasado indigena de America Latina, las miserias humanas, la muerte y el dolor que la majestuosidad a menudo causa en quienes la forjan. El poema es uno de los mas trascendentes de la poesia de Neruda, y su musicalizacion por parte de Los Jaivas ha sido considerada como magistral y fiel al contenido de la obra original.

www.losjaivas.net
 

 Todos Juntos 

Hace mucho tiempo que yo vivo preguntándome
Para qué la tierra es tan redonda y una sola no más
Si vivimos todos separados
Para qué son el cielo y el mar
Para qué es el sol que nos alumbra
Si no nos queremos ni mirar

Tantas penas que nos van llevando a todos al final
Cuantas noches, cada noche, de ternura tendremos que dar
Para qué vivir tan separados
Si la tierra nos quiere juntar
Si este mundo es uno y para todos
Todos juntos vamos a vivir



Águila sideral

Aguila sideral, viña de bruma
Bastión perdido, cimitarra ciega.
Aguila sideral.

Cinturón estrellado, pan solemne
Serpiente mineral, rosa de piedra
Cordillera esencial, techo marino
Cúpula del silencio, patria pura

Ramo de sal, cerezo de alas negras
Ola de plata, dirección del tiempo
Aguila sideral, serpiente andina
Aguila sideral, luna de cuarzo
Aguila sideral, novia del mar
Aguila sideral
Aguila sideral.  

 



Mamalluca

mamalluca, simiente reposado,
mamalluca, mirando a lo profundo
mamalluca, traes los vientos cosmicos,
a refrescar, la amalgama inverosimil.
mamalluca, de los montes que cobijan,
mamalluca, a los valles elquinos.

mamalluca, mamalluca,
mamalluca, mamalluca,
racimo, racimo celestial,
mamalluca, mamalluca.
mamalluca, noche eterna, mamalluca,
mamalluca, dia incierto, mamalluca.

mamalluca, de tanto sumergirte,
en las vertiginosas cascadas de los cielos
desapareces gota a gota,
te haces transparente,
y eres montaña de viento.
mamalluca, materia ignota,
mamalluca, espacio, puro nada.

mamalluca, mamalluca,
mamalluca, mamalluca,
mamalluca, fragilidad de la vida,
mamalluca,......mamalluca,
mamalluca, nuestra misma galaxia,
mamalluca, mamalluca,
hasta el ultimo planeta. 



Mira Niñita

Mira niñita
te voy a llevar
a ver la Luna
brillando en el mar,
mira hacia el cielo
y olvida ese lánguido temor
que fue permanente emoción.

Ahh...fue permanente emoción.

Para la hija
de un hombre con ojos de cristal
y papel sellado en la piel.

Mira niñita
te voy a llevar
a ver la Luna
brillando en el mar,
mira hacia el cielo
y olvida ese lánguido temor
que fue permanente emoción.

Ahh...fue permanente emoción.

Para la hija
de un hombre con ojos de cristal
y papel sellado en la piel.

Mira hacia el cielo
y olvida es lánguido temor
que fue permanente emoción.

Ahh...fue permanente emoción.

Ahh...tu pelito y
tus ojos de miel,
pero ya en tu pecho
florecerán colores
de amor.

Florecerán...

Tu pelito y tus ojos de miel.

La ternura tendrán para tí,
para tí.

Florecerán...

Tu pelito...

Pero ya en tu pecho
florecerán colores de amor...


Music: Los Jaivas - Alturas de Machu Picchu - Todos Juntos - Aguila sideral - Mamalluca - Mira Niñita - Lyrics