domingo, 10 de noviembre de 2013

Music: Decidi il mio destin (I Pagliacci - Leoncavallo) - Baritone Apollo Granforte - Soprano Hina Spani - 1927 - Bio Hina Spani








Baritone Apollo Granforte - Soprano Hina Spani - Decidi il mio destin - 1927

Baritone Apollo Granforte (1886-1971)
Soprano Hina Spani (1896-1969) 
Decidi il mio destin 
I Pagliacci (Leoncavallo) 
Recorded: 1927





Hina Spani (15 February 1896 – 11 July 1969) was an Argentine soprano. Her real name was Higinia Tuñón and she enjoyed a major opera career centred on Italy during the 1920s and '30s.


Overview

Spani was born in Puán, Province of Buenos Aires, an old town located in the pampas of Argentina. When it was discovered that she had a clear, pleasing voice, a landowner from the vicinity of her home town agreed to help her to meet the costs of studying voice, first in Buenos Aires with Amalia Campodonico and later in Milan with Vittorio Moratti.

She made her operatic début at La Scala, Milan, in 1915, in the secondary rôle of Anna in Alfredo Catalani's La Wally. She sang regularly at La Scala—Italy's most important theatre—and in all the leading Italian theaters until 1934. She also toured Australia with a first-rate troupe composed of some of La Scala's leading singers.

At the Teatro Colón she was heard between 1915 and 1940, creating the title part in the world première of Respighi's Maria Egiziaca in 1934, as well as several operas by Argentine composers. She sang over 70 rôles ranging from Ottavia in Monteverdi's 17th century opera L'incoronazione di Poppea to works by then living composers.

After retiring from the operatic stage, she taught at the Vocal Art Institut of the Teatro Colón, which she directed.

Spani died in Buenos Aires on 11 July 1969.

Recordings

Spani made some 40 sides for the Italian Columbia and HMV recording companies. Reissues of her best 78-rpm records can be heard on excellent CDs produced by the Preiser and Pearl labels.

Appreciation

Spani's style and technique were typical of a Latin soprano of the 1920-1945 period, but her rich tone was much smoother and her musicianship more subtle than that of most of her contemporaries. She was an outstanding spinto with a constant appreciation of the expressive limits of the music that she sang; as a result, she invested her operatic interpretations with a unique combination of intensity and restraint.

Inter-war opera-goers spoke admiringly of the "grand", expansive quality that her voice possessed when it was experienced in the acoustics of a theatre as opposed to a boxy recording studio. She also had a vast concert repertory which she had been encouraged to acquire by her first teacher in Buenos Aires. Very little of this is documented on record (although she did leave a handful of lovely song recordings), but those who saw her in recital remembered the joy that she communicated. In this respect, she was a real cosmopolitan artist.

References

    Harold Rosenthal and John Warrack; The Concise Oxford Dictionary of Opera, second edition, London, 1980.
    J.B. Steane; The Grand Tradition, London, 1974.




Hina Spani (Higinia Tuñón) fue una soprano spinto argentina que nació en Puán (Provincia de Buenos Aires) en 1896 y falleció en Buenos Aires en 1969.

Estudió con Amanda Campodonico en Buenos Aires viajando a Italia para estudiar con Vittorio Mortatti en Milán.

Debutó en La Scala como Anna en Loreley en 1915 y en el Teatro Colón como Micaela, Nedda, Inés en La africanade Meyerbeer. Allí cantó hasta 1939 más de 70 roles como Amelia, Donna Elvira, Marguerite, Elena, Lauretta, Mathilde, Debora e Jaele de Ildebrando Pizzetti Maria Egiziaca de Ottorino Respighi, Castor y Polux de Rameau, Giulio Cesare de Malipiero, incluyendo óperas argentinas como La leyenda del urutaú, La sangre de las guitarras, Amaya, Ilsey Tucuman y Raquela de Felipe Boero.

Tuvo una importante carrera en Argentina, España y Italia donde cantó, entre otros papeles, Leonora (Il trovatore), Madame Butterfly, Marguerite (Faust), Tosca, Lady Macbeth, Elisabeth (Tannhäuser), Maddalena, Desdemona, Mimì, Marina, Sieglinde, Santuzza, Wally, Aida, Amelia y Giulietta ( Riccardo Zandonai).

Se retiró en 1940, aunque continuó dando recitales hasta 1946.

Se dedicó a la enseñanza. Dirigió la Escuela de Arte Escénico del Teatro Colón.


Discografía de referencia

    Hina Spani - Recordings 1924-1931
    The Emi Record Of Singing Vol 3 - 1926-1939

http://es.wikipedia.org/wiki/Hina_Spani




Music: Decidi il mio destin (I Pagliacci - Leoncavallo) - Baritone Apollo Granforte - Soprano Hina Spani - 1927 - Bio Hina Spani






Ricardo M Marcenaro - Facebook

Blogs in operation of The Solitary Dog:

Solitary Dog Sculptor:
byricardomarcenaro.blogspot.com
Solitary Dog Sculptor I:
byricardomarcenaroi.blogspot.com/

Para:
comunicarse conmigo,
enviar materiales para publicar,
propuestas comerciales:
marcenaroescultor@gmail.com

For:
contact me,
submit materials for publication,
commercial proposals:
marcenaroescultor@gmail.com

My blogs are an open house to all cultures, religions and countries. Be a follower if you like it, with this action you are building a new culture of tolerance, open mind and heart for peace, love and human respect. Thanks :)


Mis blogs son una casa abierta a todas las culturas, religiones y países. Se un seguidor si quieres, con esta acción usted está construyendo una nueva cultura de la tolerancia, la mente y el corazón abiertos para la paz, el amor y el respeto humano. Gracias:)



(::)


No hay comentarios:

Publicar un comentario