Micha Bar Am
The
Sinai Campaign, also known as OPERATION KADESH brokeout in October
1956. Follow in the nationalisation of the Suez Canal by Egyptian
President Gamal Abdul NASSER, an agreement was reached between Israel
and the governments of Great Britain and France, who decided to take
control of the Canal byforce. Within 100 hours the Israeli Defense
Forces (IDF) capturedthe Gaza Strip and the Sinai Peninsula and, in line
with the agreement, stopped 18 kilometers from the Suez Canal. Under
Soviet threat and the pressure from the United States and the UN, the
IDF with drew from Sinai early in 1957.
Here a group of Israeli soldiers are bogged in the sands of the Sinai desert.1956
Here a group of Israeli soldiers are bogged in the sands of the Sinai desert.1956
SINAI. Sinai campaign 1956.
The Sinai Campaign, also known as OPERATION KADESH brokeout in October 1956. Follow in the nationalisation of the Suez Canal by Egyptian President Gamal Abdul NASSER, an agreement was reached between Israel and the governments of Great Britain and France, who decided to take control of the Canal byforce. Within 100 hours the Israeli Defense Forces (IDF) capturedthe Gaza Strip and the Sinai Peninsula and, in line with the agreement, stopped 18 kilometers from the Suez Canal. Under Soviet threat and the pressure from the United States and the UN, the IDF with drew from Sinai early in 1957.
These are Egyptian prisoners of war captured by the IDF in the Sinai campaign.
The Sinai Campaign, also known as OPERATION KADESH brokeout in October 1956. Follow in the nationalisation of the Suez Canal by Egyptian President Gamal Abdul NASSER, an agreement was reached between Israel and the governments of Great Britain and France, who decided to take control of the Canal byforce. Within 100 hours the Israeli Defense Forces (IDF) capturedthe Gaza Strip and the Sinai Peninsula and, in line with the agreement, stopped 18 kilometers from the Suez Canal. Under Soviet threat and the pressure from the United States and the UN, the IDF with drew from Sinai early in 1957.
These are Egyptian prisoners of war captured by the IDF in the Sinai campaign.
Micha Bar Am
Following the October 1956 Sinai Campaign, when with the blessing of Great Britain and France the Israeli Defence Forces made their way to the Suez Canal to capture the region from nationalisation by President Nasser, their troops remained there until 1957 but came under bitter international criticism. The Israeli government decision to with draw from the Sinai, dueb to this international pressure, caused disputes and demonstrations throughout the country.
Policeforces prepare for a demonstration against the Sinai with drawal in Zion Square, Jerusalem.1957
Policeforces prepare for a demonstration against the Sinai with drawal in Zion Square, Jerusalem.1957
Micha Bar Am
ISRAEL. A Border Guard armed car evacuates workers from the disputed territories in the Upper Galilee on the north ernborder of Israel. The machine-gun fire came from Tel-Azazi at outpost, which was part of the Syrian army fortification son the western slopes of the Golan Heights. 1957
Micha Bar Am
EGYPT. Sinai.
Bedouin woman. 1956.
Micha Bar Am
ISRAEL.
Protest against with drawal from occupied Sinai peninsula.
Street demonstrations along Ben Yehuda Street, Jerusalem.1957
Moshe Dayan
Micha Bar-Am (Hebrew: מיכה בר-עם) (born 1930 Berlin, Germany) is a renowned Israeli journalistic photographer. His images cover every aspect of life in Israel in the past sixty years.
Since 1968 he has been a correspondent with Magnum, the photographic cooperative. From 1968 to 1992, he was the New York Times photographic correspondent from Israel. He has published several books of photography, beginning in 1957. His work is held in numerous international museums and institutes throughout the world.
Early life
Born in Berlin to a Jewish family, as a child, Bar-Am moved with his parents in 1936 to then British Mandate of Palestine. He attended local schools.
He was drafted in 1948 and served during Israel's War of Independence, when he was part of the Palmach Unit. Afterward, he worked several jobs, including as a locksmith and a mounted guard, before becoming a photographer. In 1949 he co-founded the kibbutz Malkia in Galilee. Later he became a member of Kibbutz Gesher HaZiv.[1]
Photography career
In the early 1940s, Bar-Am started taking pictures of life on a kibbutz; he used borrowed cameras until he bought a Leica. After his military service, he began photographing more seriously.
After publishing his first book, Across Sinai (1957), Bar-Am gained work as a photographic reporter and in the editorial staff of the Israeli Army magazine, Ba-Mahaneh, from 1957 to 1967. In 1961 he covered the Eichmann trial.
In 1967 he covered the Six-Day war, during which time he met Cornell Capa. Many of his war images brought him renown. Since 1968, he has been a correspondent for Magnum Photos. In 1974 he helped Capa found the International Center of Photography in New York.
In 1968, Bar-Am also became the photographic correspondent from Israel for the New York Times, a position he held until 1992. From 1977-92, he was head of the department of photography at the Tel Aviv Museum of Art.
He continues to work on his photography. He writes about his work:
"I keep my internal eye open for that other, metaphorical image that transcends illustration to achieve a wholeness of its own. I strive for the elusive entity that is both evidence and evocation, public record and personal vision."
He says that he has adopted Robert Capa's saying, "If your photographs aren't good enough, you weren't close enough," but has added a caveat:
"If you're too close you lose perspective. It is not easy to be fair with the facts and keep your own convictions out of the picture. It is almost impossible to be both a participant in the events and their observer, witness, interpreter. The effort brings great frustration, and equally great reward." [1]
Personal life
Bar-Am is married to Orna, an artist. Together they have three sons: Ahuvia, a professor of classics; Barak, an artist; and Nimrod, a Doctor of Philosophy.
Awards
2000--Israel Prize for photography.[2][3]
1993—Enrique Kavlin Prize, Israel Museum, Jerusalem, Israel
1985-86--Nieman Fellow, Harvard University, Cambridge, Massachusetts, USA
1985—IBM Fellowship, Aspen, Colorado, USA
1985—Golden Flamingo Award for Photographic Poster, Arles, France
1985--Fulbright Grant
Books
Southward: Micha Bar-Am, Photographs, Israel: The Negev Museum of Art, 2013
Insight: Micha Bar-Am's Israel, London: Koenig Books / Israel: Open Museums, 2011
Israel: A Photobiography, USA: Simon & Schuster, 1998
The Last War, Israel: Keter Publishers, 1996
Painting With Light: The Photographic Aspect in the Work of E.M. Lilian, Israel: Tel Aviv Museum of Art/Dvir Publishing, 1991
Jewish Sites in Lebanon, USA: Moreshet Erets-Yisrael/Ariel, 1984
The Jordan, Israel: Massada Ltd., 1981
Portrait of Israel, USA: New York Times/American Heritage Press, 1970
Across Sinai, Israel: Hakibbutz Hameuhad, 1957
Collections
Israel Museum, Jerusalem, Israel
Tel Aviv Museum of Art, Tel Aviv, Israel
Haifa Museum, Haifa, Israel
Diaspora Museum, Tel Aviv, Israel
The Museum of Photography at Tel Hai, Tel Hai Kibbutz, Israel
International Center of Photography, New York, USA
The Museum of Modern Art, New York, USA
Museum of Fine Arts, Houston, USA
International Museum of Photography at George Eastman House, Rochester, USA
Skirball Museum, Los Angeles, USA
Minneapolis Institute of Arts, Minneapolis, USA
Henry Buhl Collection, New York, USA
Ludwig Museum, Cologne, Germany
Folkwang Museum, Essen, Germany
Bibliothèque Nationale, Paris, France
Musée d'Art et d'Histoire du Judaïsme, Paris, France
Collection FNAC, Paris, France
Fundacion “La Caixa”, Barcelona, Spain
National Maritime Museum, London, UK
Magnum Photos: Photographic Collection, Harry Ransom Center, University of Texas at Austin, USA
http://en.wikipedia.org/wiki/Micha_Bar-Am
Since 1968 he has been a correspondent with Magnum, the photographic cooperative. From 1968 to 1992, he was the New York Times photographic correspondent from Israel. He has published several books of photography, beginning in 1957. His work is held in numerous international museums and institutes throughout the world.
Early life
Born in Berlin to a Jewish family, as a child, Bar-Am moved with his parents in 1936 to then British Mandate of Palestine. He attended local schools.
He was drafted in 1948 and served during Israel's War of Independence, when he was part of the Palmach Unit. Afterward, he worked several jobs, including as a locksmith and a mounted guard, before becoming a photographer. In 1949 he co-founded the kibbutz Malkia in Galilee. Later he became a member of Kibbutz Gesher HaZiv.[1]
Photography career
In the early 1940s, Bar-Am started taking pictures of life on a kibbutz; he used borrowed cameras until he bought a Leica. After his military service, he began photographing more seriously.
After publishing his first book, Across Sinai (1957), Bar-Am gained work as a photographic reporter and in the editorial staff of the Israeli Army magazine, Ba-Mahaneh, from 1957 to 1967. In 1961 he covered the Eichmann trial.
In 1967 he covered the Six-Day war, during which time he met Cornell Capa. Many of his war images brought him renown. Since 1968, he has been a correspondent for Magnum Photos. In 1974 he helped Capa found the International Center of Photography in New York.
In 1968, Bar-Am also became the photographic correspondent from Israel for the New York Times, a position he held until 1992. From 1977-92, he was head of the department of photography at the Tel Aviv Museum of Art.
He continues to work on his photography. He writes about his work:
"I keep my internal eye open for that other, metaphorical image that transcends illustration to achieve a wholeness of its own. I strive for the elusive entity that is both evidence and evocation, public record and personal vision."
He says that he has adopted Robert Capa's saying, "If your photographs aren't good enough, you weren't close enough," but has added a caveat:
"If you're too close you lose perspective. It is not easy to be fair with the facts and keep your own convictions out of the picture. It is almost impossible to be both a participant in the events and their observer, witness, interpreter. The effort brings great frustration, and equally great reward." [1]
Personal life
Bar-Am is married to Orna, an artist. Together they have three sons: Ahuvia, a professor of classics; Barak, an artist; and Nimrod, a Doctor of Philosophy.
Awards
2000--Israel Prize for photography.[2][3]
1993—Enrique Kavlin Prize, Israel Museum, Jerusalem, Israel
1985-86--Nieman Fellow, Harvard University, Cambridge, Massachusetts, USA
1985—IBM Fellowship, Aspen, Colorado, USA
1985—Golden Flamingo Award for Photographic Poster, Arles, France
1985--Fulbright Grant
Books
Southward: Micha Bar-Am, Photographs, Israel: The Negev Museum of Art, 2013
Insight: Micha Bar-Am's Israel, London: Koenig Books / Israel: Open Museums, 2011
Israel: A Photobiography, USA: Simon & Schuster, 1998
The Last War, Israel: Keter Publishers, 1996
Painting With Light: The Photographic Aspect in the Work of E.M. Lilian, Israel: Tel Aviv Museum of Art/Dvir Publishing, 1991
Jewish Sites in Lebanon, USA: Moreshet Erets-Yisrael/Ariel, 1984
The Jordan, Israel: Massada Ltd., 1981
Portrait of Israel, USA: New York Times/American Heritage Press, 1970
Across Sinai, Israel: Hakibbutz Hameuhad, 1957
Collections
Israel Museum, Jerusalem, Israel
Tel Aviv Museum of Art, Tel Aviv, Israel
Haifa Museum, Haifa, Israel
Diaspora Museum, Tel Aviv, Israel
The Museum of Photography at Tel Hai, Tel Hai Kibbutz, Israel
International Center of Photography, New York, USA
The Museum of Modern Art, New York, USA
Museum of Fine Arts, Houston, USA
International Museum of Photography at George Eastman House, Rochester, USA
Skirball Museum, Los Angeles, USA
Minneapolis Institute of Arts, Minneapolis, USA
Henry Buhl Collection, New York, USA
Ludwig Museum, Cologne, Germany
Folkwang Museum, Essen, Germany
Bibliothèque Nationale, Paris, France
Musée d'Art et d'Histoire du Judaïsme, Paris, France
Collection FNAC, Paris, France
Fundacion “La Caixa”, Barcelona, Spain
National Maritime Museum, London, UK
Magnum Photos: Photographic Collection, Harry Ransom Center, University of Texas at Austin, USA
http://en.wikipedia.org/wiki/Micha_Bar-Am
Leica M3 Black Paint Summicron Original camera used by photographer Micha Bar-Am.
Micha Bar-Am (n. 26 de agosto de 1930) es un fotógrafo israelí perteneciente a la agencia Magnum.1
Nació en Berlín pero cuando tenía seis años sus padres se trasladaron a Haifa donde estuvo residiendo hasta 1948 y trabajó en su puerto de marinero en 1944. Se integró en la Palmach y estuvo luchando por la independencia, siendo miembro fundador en 1949 del kibutz de Malkiya aunque en 1953 se trasladó al de Gesher-Haziv donde comenzó a realizar fotografías con una cámara prestada. Durante la Guerra del Sinai realizó un reportaje que vendió y le permitió adquirir una Leica dedicándose a la fotografía de modo profesional. Hasta 1966 estuvo trabajando en la revista Bahmahane y en 1961 cubrió el juicio a Adolf Eichmann.2
En 1966 inició su trabajo como fotógrafo independiente y un año después conoció a Cornell Capa con quien realizó reportajes de la Guerra de los Seis Días, por lo que desde 1968 forma parte de la agencia Magnum y se convirtió en el corresponsal del New York Times, lo que ejerció hasta 1992. En 1973 también realizó fotografías de la Guerra del Yom Kippur y en 1977 fue nombrado conservador en el departamento de fotografía del Museo de Tel-Aviv hasta su jubilación en 1992.
En el año 2000 recibió el Premio de Israel a las Artes Visuales. Su trabajo se puede encontrar en el Centro internacional de Fotografía (ICP), en la Biblioteca Nacional de Francia, en el Museo Ludwig, en el Museo de Arte de Tel-Aviv y en el Museo de Arte Moderno de Nueva York entre otros.
http://es.wikipedia.org/wiki/Micha_Bar-Am
Nació en Berlín pero cuando tenía seis años sus padres se trasladaron a Haifa donde estuvo residiendo hasta 1948 y trabajó en su puerto de marinero en 1944. Se integró en la Palmach y estuvo luchando por la independencia, siendo miembro fundador en 1949 del kibutz de Malkiya aunque en 1953 se trasladó al de Gesher-Haziv donde comenzó a realizar fotografías con una cámara prestada. Durante la Guerra del Sinai realizó un reportaje que vendió y le permitió adquirir una Leica dedicándose a la fotografía de modo profesional. Hasta 1966 estuvo trabajando en la revista Bahmahane y en 1961 cubrió el juicio a Adolf Eichmann.2
En 1966 inició su trabajo como fotógrafo independiente y un año después conoció a Cornell Capa con quien realizó reportajes de la Guerra de los Seis Días, por lo que desde 1968 forma parte de la agencia Magnum y se convirtió en el corresponsal del New York Times, lo que ejerció hasta 1992. En 1973 también realizó fotografías de la Guerra del Yom Kippur y en 1977 fue nombrado conservador en el departamento de fotografía del Museo de Tel-Aviv hasta su jubilación en 1992.
En el año 2000 recibió el Premio de Israel a las Artes Visuales. Su trabajo se puede encontrar en el Centro internacional de Fotografía (ICP), en la Biblioteca Nacional de Francia, en el Museo Ludwig, en el Museo de Arte de Tel-Aviv y en el Museo de Arte Moderno de Nueva York entre otros.
http://es.wikipedia.org/wiki/Micha_Bar-Am
Photos - Fotos: Micha Bar Am - 1956-1957 Sinai War - Bio English-Espanol - Links
Ricardo Marcenaro
You have an alphabetical guide in the foot of the page in the blog: solitary dog sculptor
In the blog: Solitary Dog Sculptor I, the alphabetical guide is on the right side of the page
Thanks
Usted tiene una guía alfabética al pie de la página en el blog: solitary dog sculptor
En el blog: Solitary Dog Sculptor I, la guia alfabética está en el costado derecho de la página
Gracias
Ricardo M Marcenaro - Facebook
Blogs of The Solitary Dog:
solitary dog sculptor:
http://byricardomarcenaro.blogspot.com
and
Solitary Dog Sculptor I:
http://byricardomarcenaroi.blogspot.com
Para:
comunicarse conmigo,
enviar materiales para publicar,
propuestas comerciales:
marcenaroescultor@gmail.com
For:
contact me,
submit materials for publication,
commercial proposals:
marcenaroescultor@gmail.com
Diario La Nación
Argentina
Cuenta Comentarista en el Foro:
Capiscum
My blogs are an open house to all cultures, religions and countries. Be a follower if you like it, with this action you are building a new culture of tolerance, open mind and heart for peace, love and human respect.
Thanks :)
Mis blogs son una casa abierta a todas las culturas, religiones y países. Se un seguidor si quieres, con esta acción usted está construyendo una nueva cultura de la tolerancia, la mente y el corazón abiertos para la paz, el amor y el respeto humano.
Gracias :)
Solitary Dog Sculptor I:
http://byricardomarcenaroi.blogspot.com
Para:
comunicarse conmigo,
enviar materiales para publicar,
propuestas comerciales:
marcenaroescultor@gmail.com
For:
contact me,
submit materials for publication,
commercial proposals:
marcenaroescultor@gmail.com
Diario La Nación
Argentina
Cuenta Comentarista en el Foro:
Capiscum
My blogs are an open house to all cultures, religions and countries. Be a follower if you like it, with this action you are building a new culture of tolerance, open mind and heart for peace, love and human respect.
Thanks :)
Mis blogs son una casa abierta a todas las culturas, religiones y países. Se un seguidor si quieres, con esta acción usted está construyendo una nueva cultura de la tolerancia, la mente y el corazón abiertos para la paz, el amor y el respeto humano.
Gracias :)
No hay comentarios:
Publicar un comentario