domingo, 5 de mayo de 2013

Painter: Salvador Dali - In historical order - En el orden histórico - 1945-50 - Part 2 - 30 images imagenes - Links



 1 Salvador Dali Untitled (Spanish Dances in a Landscape), 1946

2 Salvador Dali The Stain, 1946

3 Salvador Dali Desert Trilogy - Apparition of a Woman and Suspended Architecture in the Desert - for 'Desert Fl

 4 Salvador Dali Dematerialization Near the Nose of Nero, 1947

5 Salvador Dali Feather Equilibrium (Interatomic Balance of a Swan's Feather), 1947

6 Salvador Dali Portrait of Picasso, 1947

7 Salvador Dali The Three Sphinxes of Bikini, 1947

8 Salvador Dali Design for 'Destino', 1947

9 Salvador Dali Design for 'Destino', 1947


10 Salvador Dali Rock and Infuriated Horse Sleeping Under the Sea, 1947

11 Salvador Dali Battle Over a Dandelion, 1947

12 Salvador Dali Untitled (Temple Frontage with Atomic Explosions), circa 1947

13 Salvador Dali Wheat Ear, 1947

14 Salvador Dali Jour de la Vierge, 1947

14 Salvador Dali Portrait of Mrs. Mary Sigall, 1948

15 Salvador Dali Portrait of Nada Pachevich, 1948

16 Salvador Dali Untitled (Male Nude in a Landscape), 1948

 17 Salvador Dali Untitled (Landscape), 1948
 
18 Salvador Dali Study for a Portrait (unfinished), circa 1948

19 Salvador Dali Leda Atomica (first unfinished version), 1948


 20 Salvador Dali Leda Atomica, 1949

22 Salvador Dali Set design for the ballet 'Los Sacos Del Molinero', 1949

 22 Salvador Dali Set design for the ballet 'Los Sacos Del Molinero', 1949

22 Salvador Dali Set design for the ballet 'Los Sacos Del Molinero', 1949

22 Salvador Dali Set design for the ballet 'Los Sacos Del Molinero', 1949

22 Salvador Dali Set design for the ballet 'Los Sacos Del Molinero', 1949

22 Salvador Dali Set design for the ballet 'Los Sacos Del Molinero', 1949

28 Salvador Dali Four Armchairs in the Sky, 1949

 29 Salvador Dali La Turbie - Sir James Dunn Seated, 1949

30 Salvador Dali The Elephants, 1948







Painter: Salvador Dali - In historical order - En el orden histórico - 1945-50 - Part 2 - 30 images imagenes - Links




1914-20

1925-30


1930-35


1935-40


1940-45


1945-50





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NASA: Blogs - A Line of Snow in a Cold Spring Shower - by Walt Petersen - 04.05.13



A Line of Snow in a Cold Spring Shower

May 2nd, 2013 by Walt Petersen
Our forecasters at Iowa State, and I believe via the National Weather Service, are calling this a “once in a career storm.” The heavy snow in central Iowa—really, almost on top of us right now, is the reason. We ran NPOL all night long with the D3R radar in cold rain that started around 2 a.m. I awoke to some ice pellets this morning around 5 a.m. in my hotel room and then wind-driven rain. The wind has been blowing a steady 25 to 30 mph.
We had some funny things happen with the antenna last night. Wind stopped it a few times in big gusts; it is a big 28-foot “sail” after all, and then we had some miscommunication between the antenna controller and the software that controls scanning. The radar scientist on duty, Dr. Timothy Lang, came up with a good work-around. His solution was to run constant “PPI volumes,” which basically do a full 360 degree sweep at several elevation angles. This enabled us to keep collecting good data and to do it at our sub-3 minute cycle time. We set that time as the outside limit on how frequently we wanted to fully sample the rainfall field around us.
We got the antenna situation repaired this morning, and I was able to go back into alternate rain scan vs. range-height scanning mode with the D3R, so that we sample both the rain field and the structure of the precipitation with height at very high resolution along our ray of disdrometers and rain gauges that stretch in a line toward Iowa City.
May 2, 2013. A radar image similar to what you'd see in a weather report. Precipitation appears in colors ranging from light rain (blue to green) to heavier precipitation (yellow to red). Credit: NPOL radar / NASA
May 2, 2013. A radar image similar to what you’d see in a weather report. Precipitation appears in colors ranging from light rain (blue to green) to heavier precipitation (yellow to red). Credit: NPOL radar / NASA
One thing that is really impressive is the change in precipitation type, and the rapid drop in the height of the freezing level we are seeing as one moves west of the radar. This is illustrated nicely in the dual-polarimetric data that the radar collects. The first image (above) shows an example of the radar reflectivity field that we saw around 15:15 UTC (or 10:15 local time). This variable is typically what your TV Meteorologist shows you on the evening newscast. Notice the band of higher reflectivity just to the west of the radar that indicates heavier rain.
Now the second image (below) shows a variable called the “correlation coefficient” or, RHOHV. This variable takes the signal at both the horizontal and vertical polarizations and computes their correlation at each range sample along all the rays. It is a sensitive measure of the degree to which you have a mixture of liquid and frozen precipitation particles in a given sample volume.
This radar image combines two measurements to show what the mixture of liquid and ice is in the precipitation. Bright pink is liquid rain. Yellow to red shows that snow and ice are mixed with the rain. The line of this rain-snow mix stretches from the southwest (bottom left) to the northeast (top right) of the NPOL radar. Credit: NPOL radar / NASA
May 2, 2013. This radar image combines two measurements to show what the mixture of liquid and ice is in the precipitation. Bright pink is liquid rain. Yellow to red shows that snow and ice are mixed with the rain. The line of this rain-snow mix stretches from the southwest (bottom left) to the northeast (top right) of the NPOL radar. Credit: NPOL radar / NASA
Raindrops are usually very highly correlated and values will typically exceed 0.98 or so. However, when you get a mixture of snow and rain, the correlation drops rapidly. You can see this rapid drop in correlation to the west of the radar along the narrow line yellowish to orange colors (embedded in the solid pinkish colors of high RHOHV) that extend in a line from southwest of the radar up to the northeast of the radar. That is where the infamous rain-snow line is located in Central Iowa. We await the arrival of that line over NPOL—though it is only progressing eastward very slowly.
Dave Wolff is a radar scientist at NASA Wallops. He monitoring the radar data inside the science trailer on site at Traer, Iowa. Credit: Walt Petersen / NASA
Dave Wolff is a radar scientist at NASA Wallops. He is monitoring the radar data inside the science trailer on site at Traer, Iowa. Credit: Walt Petersen / NASA
Dave Wolff (above), my companion Radar Scientist this week, and also from NASA Wallops, has done a great job of getting some of our NPOL imagery online in real time, so that is a big help to the field operations. It seems that most of the equipment and networking is working- a testament to the hard work several of these folks are putting in.
I must say though, right now I am most anxiously awaiting a hot cup of coffee which one of our Radar Engineers has graciously offered to grab for me on his lunch run.
From May 1 to June 15, NASA and Iowa Flood Center scientists from the University of Iowa will measure rainfall in eastern Iowa with ground instruments and satellites as part of a field campaign called Iowa Flood Studies (IFloodS). They will evaluate the accuracy of flood forecasting models and precipitation measurements from space with data they collect. Walt Petersen, a scientist based at NASA’s Wallops Flight Facility, is the Ground Validation Scientist for the Global Precipitation Measurement (GPM) mission.






NASA: Blogs - A Line of Snow in a Cold Spring Shower - by Walt Petersen - 04.05.13






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Poetry: Amy Lowell - To a Friend - Behind a Wall - The Crescent Moon - Links to her poems




To a Friend

I ask but one thing of you, only one,
That always you will be my dream of you;
That never shall I wake to find untrue
All this I have believed and rested on,
Forever vanished, like a vision gone
Out into the night. Alas, how few
There are who strike in us a chord we knew
Existed, but so seldom heard its tone
We tremble at the half-forgotten sound.
The world is full of rude awakenings
And heaven-born castles shattered to the ground,
Yet still our human longing vainly clings
To a belief in beauty through all wrongs.
O stay your hand, and leave my heart its songs!



Behind a Wall

I own a solace shut within my heart,
A garden full of many a quaint delight
And warm with drowsy, poppied sunshine; bright,
Flaming with lilies out of whose cups dart
Shining things
With powdered wings.
Here terrace sinks to terrace, arbors close
The ends of dreaming paths; a wanton wind
Jostles the half-ripe pears, and then, unkind,
Tumbles a-slumber in a pillar rose,
With content
Grown indolent.
By night my garden is o'erhung with gems
Fixed in an onyx setting. Fireflies
Flicker their lanterns in my dazzled eyes.
In serried rows I guess the straight, stiff stems
Of hollyhocks
Against the rocks.
So far and still it is that, listening,
I hear the flowers talking in the dawn;
And where a sunken basin cuts the lawn,
Cinctured with iris, pale and glistening,
The sudden swish
Of a waking fish.




The Crescent Moon

Slipping softly through the sky
Little horned, happy moon,
Can you hear me up so high?
Will you come down soon?
On my nursery window-sill
Will you stay your steady flight?
And then float away with me
Through the summer night?
Brushing over tops of trees,
Playing hide and seek with stars,
Peeping up through shiny clouds
At Jupiter or Mars.
I shall fill my lap with roses
Gathered in the milky way,
All to carry home to mother.
Oh! what will she say!
Little rocking, sailing moon,
Do you hear me shout -- Ahoy!
Just a little nearer, moon,
To please a little boy.

 








Poetry: Amy Lowell - To a Friend - Behind a Wall - The Crescent Moon - Links to her poems






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Poesia: Federico Garcia Lorca in italiano - Madrigale - Una Campana - Consulto - Sera - Links




 MADRIGALE

Il mio bacio era un melograno
profondo e aperto:
la tua bocca una rosa
di carta.

           Lo sfondo un campo di neve.

Le mie mani erano ferri
per le incudini:
il tuo corpo il tramonto
d'uno scampanio.

           Lo sfondo un campo di neve.

Nel trapanato
cranio azzurro
come stalattiti
i miei ti amo.

            Lo sfondo un campo di neve.

Si arrugginirono
i miei sogni infantili,
e trafisse la luna
il mio dolor salomonico.

            Lo sfondo un campo di neve.

Adesso maestro serio,
alla scuola severa,
per i miei amori e sogni

(puledri ciechi).

E lo sfondo è un campo di neve.

Madrid, ottobre 1920


UNA CAMPANA

Una campana serena
crocifissa nel suo ritmo
disegna la mattina
con parrucca di nebbia
e fiumi di lacrime.
Il mio vecchio pioppo
confuso d'usignoli
sperava
di metter tra l'erba
i suoi rami
prima che l'indorasse
l'autunno.
Ma i sostegni
delle mie occhiate
lo reggevano.
Vecchio pioppo, all'erta!
Non senti il legno
del mio amore spaccato?
Stenditi sul prato
quando scricchiola la mia anima,
che un uragano di baci
e di parole
ha lasciato spossata,
lacerata.

Ottobre 1920
 

CONSULTO

Passiflora azzurra!
Incudine di farfalle.
Vivi bene nel limo
delle ore?

(O Poeta infantile,
rompi il tuo orologio!)

Chiara stella azzurra,
ombelico dell'aurora.
Vivi bene nella schiuma
dell'ombra?

(O poeta infantile,
rompi il tuo orologio!)

Cuore azzurro,
lampada della mia alcova.
Batti bene senza il mio sangue
filarmonico?

(O poeta infantile,
rompi il tuo orologio!)

Vi capisco e lascio
nel comodino
l'insetto del tempo.

Le sue gocciole metalliche
non si sentiranno
nella calma dell'alcova.
Dormirò tranquillo
come dormite voi,
passiflora e stelle,
alla fine la farfalla
volerà nella corrente
delle ore
mentre nasce sul mio tronco
la rosa.

Agosto 1920
 

SERA

Sera piovosa in grigio stanco.
Tutto è così.
Gli alberi secchi.
           La mia stanza, solitaria.
E i ritratti vecchi
e il libro intonso...

Trasuda la tristezza dai mobili
e dall'anima.
            Forse
la Natura ha per me
il cuore di cristallo.

E mi duole la carne del cuore
e la carne dell'anima.
            E parlando
le mie parole restano nell'aria
come sugheri sull'acqua.

Solo per i tuoi occhi
soffro questo male;
tristezze del passato
tristezze che verranno.

Sera piovosa in grigio stanco.
E va la vita.

Novembre 1919
 

Poesia: Federico Garcia Lorca in italiano - Madrigale - Una Campana - Consulto - Sera - Links 










Poesia in Italiano:





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Mis blogs son una casa abierta a todas las culturas, religiones y países. Se un seguidor si quieres, con esta acción usted está construyendo una nueva cultura de la tolerancia, la mente y el corazón abiertos para la paz, el amor y el respeto humano.

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