martes, 27 de agosto de 2013

Music: Friedrich Gulda - Light my Fire (The Doors cover) - Links




video

Friedrich Gulda - Light my Fire




Links:










Music: Friedrich Gulda - Light my Fire (The Doors cover) - Links







Ricardo Marcenaro
Argentina





You have an alphabetical guide in the foot of the page in the blog: solitary dog sculptor
In the blog: Solitary Dog Sculptor I, the alphabetical guide is on the right side of the page
Thanks

Usted tiene una guía alfabética al pie de la página en el blog: solitary dog sculptor
En el blog: Solitary Dog Sculptor I, la guia alfabética está en el costado derecho de la página
Gracias




Ricardo M Marcenaro - Facebook

Blogs of The Solitary Dog:

solitary dog sculptor:
http://byricardomarcenaro.blogspot.com
and
Solitary Dog Sculptor I:
http://byricardomarcenaroi.blogspot.com

Para:
comunicarse conmigo,
enviar materiales para publicar,
propuestas comerciales:
marcenaroescultor@gmail.com

For:
contact me,
submit materials for publication,
commercial proposals:
marcenaroescultor@gmail.com

Diario La Nación
Argentina
Cuenta Comentarista en el Foro:
Capiscum

My blogs are an open house to all cultures, religions and countries. Be a follower if you like it, with this action you are building a new culture of tolerance, open mind and heart for peace, love and human respect.

Thanks :)

Mis blogs son una casa abierta a todas las culturas, religiones y países. Se un seguidor si quieres, con esta acción usted está construyendo una nueva cultura de la tolerancia, la mente y el corazón abiertos para la paz, el amor y el respeto humano.

Gracias :)





Photos - Fotos: Micha Bar Am - 1956-1957 Sinai War - Bio English-Espanol - Links


Micha Bar Am
The Sinai Campaign, also known as OPERATION KADESH brokeout in October 1956. Follow in the nationalisation of the Suez Canal by Egyptian President Gamal Abdul NASSER, an agreement was reached between Israel and the governments of Great Britain and France, who decided to take control of the Canal byforce. Within 100 hours the Israeli Defense Forces (IDF) capturedthe Gaza Strip and the Sinai Peninsula and, in line with the agreement, stopped 18 kilometers from the Suez Canal. Under Soviet threat and the pressure from the United States and the UN, the IDF with drew from Sinai early in 1957.
Here a group of Israeli soldiers are bogged in the sands of the Sinai desert.1956


SINAI. Sinai campaign 1956.
The Sinai Campaign, also known as OPERATION KADESH brokeout in October 1956. Follow in the nationalisation of the Suez Canal by Egyptian President Gamal Abdul NASSER, an agreement was reached between Israel and the governments of Great Britain and France, who decided to take control of the Canal byforce. Within 100 hours the Israeli Defense Forces (IDF) capturedthe Gaza Strip and the Sinai Peninsula and, in line with the agreement, stopped 18 kilometers from the Suez Canal. Under Soviet threat and the pressure from the United States and the UN, the IDF with drew from Sinai early in 1957.
These are Egyptian prisoners of war captured by the IDF in the Sinai campaign.

 
Micha Bar Am
Following the October 1956 Sinai Campaign, when with the blessing of Great Britain and France the Israeli Defence Forces made their way to the Suez Canal to capture the region from nationalisation by President Nasser, their troops remained there until 1957 but came under bitter international criticism. The Israeli government decision to with draw from the Sinai, dueb to this international pressure, caused disputes and demonstrations throughout the country.
Policeforces prepare for a demonstration against the Sinai with drawal in Zion Square, Jerusalem.1957

 
Micha Bar Am
ISRAEL. A Border Guard armed car evacuates workers from the disputed territories in the Upper Galilee on the north ernborder of Israel. The machine-gun fire came from Tel-Azazi at outpost, which was part of the Syrian army fortification son the western slopes of the Golan Heights. 1957

 

 




Micha Bar Am 
EGYPT. Sinai. 
Bedouin woman. 1956.

 


Micha Bar Am 
ISRAEL. 
Protest against with drawal from occupied Sinai peninsula. 
Street demonstrations along Ben Yehuda Street, Jerusalem.1957

 
 
 
Micha Bar Am 
Moshe Dayan


Micha Bar-Am (Hebrew: מיכה בר-עם) (born 1930 Berlin, Germany) is a renowned Israeli journalistic photographer. His images cover every aspect of life in Israel in the past sixty years.

Since 1968 he has been a correspondent with Magnum, the photographic cooperative. From 1968 to 1992, he was the New York Times photographic correspondent from Israel. He has published several books of photography, beginning in 1957. His work is held in numerous international museums and institutes throughout the world.

Early life

Born in Berlin to a Jewish family, as a child, Bar-Am moved with his parents in 1936 to then British Mandate of Palestine. He attended local schools.

He was drafted in 1948 and served during Israel's War of Independence, when he was part of the Palmach Unit. Afterward, he worked several jobs, including as a locksmith and a mounted guard, before becoming a photographer. In 1949 he co-founded the kibbutz Malkia in Galilee. Later he became a member of Kibbutz Gesher HaZiv.[1]
Photography career

In the early 1940s, Bar-Am started taking pictures of life on a kibbutz; he used borrowed cameras until he bought a Leica. After his military service, he began photographing more seriously.

After publishing his first book, Across Sinai (1957), Bar-Am gained work as a photographic reporter and in the editorial staff of the Israeli Army magazine, Ba-Mahaneh, from 1957 to 1967. In 1961 he covered the Eichmann trial.

In 1967 he covered the Six-Day war, during which time he met Cornell Capa. Many of his war images brought him renown. Since 1968, he has been a correspondent for Magnum Photos. In 1974 he helped Capa found the International Center of Photography in New York.

In 1968, Bar-Am also became the photographic correspondent from Israel for the New York Times, a position he held until 1992. From 1977-92, he was head of the department of photography at the Tel Aviv Museum of Art.

He continues to work on his photography. He writes about his work:

    "I keep my internal eye open for that other, metaphorical image that transcends illustration to achieve a wholeness of its own. I strive for the elusive entity that is both evidence and evocation, public record and personal vision."

He says that he has adopted Robert Capa's saying, "If your photographs aren't good enough, you weren't close enough," but has added a caveat:

    "If you're too close you lose perspective. It is not easy to be fair with the facts and keep your own convictions out of the picture. It is almost impossible to be both a participant in the events and their observer, witness, interpreter. The effort brings great frustration, and equally great reward." [1]

Personal life

Bar-Am is married to Orna, an artist. Together they have three sons: Ahuvia, a professor of classics; Barak, an artist; and Nimrod, a Doctor of Philosophy.

Awards

    2000--Israel Prize for photography.[2][3]
    1993—Enrique Kavlin Prize, Israel Museum, Jerusalem, Israel
    1985-86--Nieman Fellow, Harvard University, Cambridge, Massachusetts, USA
    1985—IBM Fellowship, Aspen, Colorado, USA
    1985—Golden Flamingo Award for Photographic Poster, Arles, France
    1985--Fulbright Grant

Books

    Southward: Micha Bar-Am, Photographs, Israel: The Negev Museum of Art, 2013
    Insight: Micha Bar-Am's Israel, London: Koenig Books / Israel: Open Museums, 2011
    Israel: A Photobiography, USA: Simon & Schuster, 1998
    The Last War, Israel: Keter Publishers, 1996
    Painting With Light: The Photographic Aspect in the Work of E.M. Lilian, Israel: Tel Aviv Museum of Art/Dvir Publishing, 1991
    Jewish Sites in Lebanon, USA: Moreshet Erets-Yisrael/Ariel, 1984
    The Jordan, Israel: Massada Ltd., 1981
    Portrait of Israel, USA: New York Times/American Heritage Press, 1970
    Across Sinai, Israel: Hakibbutz Hameuhad, 1957

Collections

    Israel Museum, Jerusalem, Israel
    Tel Aviv Museum of Art, Tel Aviv, Israel
    Haifa Museum, Haifa, Israel
    Diaspora Museum, Tel Aviv, Israel
    The Museum of Photography at Tel Hai, Tel Hai Kibbutz, Israel
    International Center of Photography, New York, USA
    The Museum of Modern Art, New York, USA
    Museum of Fine Arts, Houston, USA
    International Museum of Photography at George Eastman House, Rochester, USA
    Skirball Museum, Los Angeles, USA
    Minneapolis Institute of Arts, Minneapolis, USA
    Henry Buhl Collection, New York, USA
    Ludwig Museum, Cologne, Germany
    Folkwang Museum, Essen, Germany
    Bibliothèque Nationale, Paris, France
    Musée d'Art et d'Histoire du Judaïsme, Paris, France
    Collection FNAC, Paris, France
    Fundacion “La Caixa”, Barcelona, Spain
    National Maritime Museum, London, UK
    Magnum Photos: Photographic Collection, Harry Ransom Center, University of Texas at Austin, USA

http://en.wikipedia.org/wiki/Micha_Bar-Am


Micha Bar Am


 Leica M3 Black Paint  Summicron Original camera used by photographer Micha Bar-Am.

 Micha Bar-Am (n. 26 de agosto de 1930) es un fotógrafo israelí perteneciente a la agencia Magnum.1

Nació en Berlín pero cuando tenía seis años sus padres se trasladaron a Haifa donde estuvo residiendo hasta 1948 y trabajó en su puerto de marinero en 1944. Se integró en la Palmach y estuvo luchando por la independencia, siendo miembro fundador en 1949 del kibutz de Malkiya aunque en 1953 se trasladó al de Gesher-Haziv donde comenzó a realizar fotografías con una cámara prestada. Durante la Guerra del Sinai realizó un reportaje que vendió y le permitió adquirir una Leica dedicándose a la fotografía de modo profesional. Hasta 1966 estuvo trabajando en la revista Bahmahane y en 1961 cubrió el juicio a Adolf Eichmann.2

En 1966 inició su trabajo como fotógrafo independiente y un año después conoció a Cornell Capa con quien realizó reportajes de la Guerra de los Seis Días, por lo que desde 1968 forma parte de la agencia Magnum y se convirtió en el corresponsal del New York Times, lo que ejerció hasta 1992. En 1973 también realizó fotografías de la Guerra del Yom Kippur y en 1977 fue nombrado conservador en el departamento de fotografía del Museo de Tel-Aviv hasta su jubilación en 1992.

En el año 2000 recibió el Premio de Israel a las Artes Visuales. Su trabajo se puede encontrar en el Centro internacional de Fotografía (ICP), en la Biblioteca Nacional de Francia, en el Museo Ludwig, en el Museo de Arte de Tel-Aviv y en el Museo de Arte Moderno de Nueva York entre otros.

http://es.wikipedia.org/wiki/Micha_Bar-Am


Leica M3 Black Paint  Summicron Original camera used by photographer Micha Bar-Am.







Photos - Fotos: Micha Bar Am - 1956-1957 Sinai War - Bio English-Espanol - Links







Ricardo Marcenaro
Argentina





You have an alphabetical guide in the foot of the page in the blog: solitary dog sculptor
In the blog: Solitary Dog Sculptor I, the alphabetical guide is on the right side of the page
Thanks

Usted tiene una guía alfabética al pie de la página en el blog: solitary dog sculptor
En el blog: Solitary Dog Sculptor I, la guia alfabética está en el costado derecho de la página
Gracias




Ricardo M Marcenaro - Facebook

Blogs of The Solitary Dog:

solitary dog sculptor:
http://byricardomarcenaro.blogspot.com
and
Solitary Dog Sculptor I:
http://byricardomarcenaroi.blogspot.com

Para:
comunicarse conmigo,
enviar materiales para publicar,
propuestas comerciales:
marcenaroescultor@gmail.com

For:
contact me,
submit materials for publication,
commercial proposals:
marcenaroescultor@gmail.com

Diario La Nación
Argentina
Cuenta Comentarista en el Foro:
Capiscum

My blogs are an open house to all cultures, religions and countries. Be a follower if you like it, with this action you are building a new culture of tolerance, open mind and heart for peace, love and human respect.

Thanks :)

Mis blogs son una casa abierta a todas las culturas, religiones y países. Se un seguidor si quieres, con esta acción usted está construyendo una nueva cultura de la tolerancia, la mente y el corazón abiertos para la paz, el amor y el respeto humano.

Gracias :)





NASA: USA - Fires in Montana and Idaho - 08.27.13



Fires in Montana and Idaho
acquired August 18, 2013 download large image (620 KB, JPEG, 1440x960)
Taken with a short lens (50 millimeters), this west-looking image from the International Space Station includes much of forested central Idaho. The oblique image highlights part of the largest single wilderness area in the contiguous United States, the Frank Church–River of No Return Wilderness.
Within this mountainous region (the dark areas are all wooded), several fires produced extensive smoke plumes. The densest smoke appeared to be generated by a combination of the Little Queens and Leggit fires (within the Salmon River Mountains). This image shows the common pattern of westerly winds carrying smoke in an easterly direction, as seen during the wildfire season of one year ago.
Named fires—most ignited by lightning—had burned 53,000 acres of forest south of the Salmon River by August 20, 2013; the number would be significantly higher if unnamed fires were included. The Gold Pan fire, north of the Salmon River, had burned 27,000 acres. For a sense of scale, Gold Pan lies about 125 miles (200 kilometers) north of the Little Queens fire.
Ten days before this image was taken, fires in central Idaho (near Boise) had been aggravated by southerly winds. Some of those fires began to burn in July, but were quelled and remain under observation for new flare-ups.
In the image above, smoke partly obscures the black lava flows of the Craters of the Moon National Monument (lower left). The Beaverhead Mountains mark the eastern boundary of Idaho with Montana.
Astronaut photograph ISS036-E-32853 was acquired on August 18, 2013, with a Nikon D3S digital camera using a 50 millimeter lens, and is provided by the ISS Crew Earth Observations experiment and Image Science & Analysis Laboratory, Johnson Space Center. The image was taken by the Expedition 36 crew. It has been cropped and enhanced to improve contrast, and lens artifacts have been removed. The International Space Station Program supports the laboratory as part of the ISS National Lab to help astronauts take pictures of Earth that will be of the greatest value to scientists and the public, and to make those images freely available on the Internet. Additional images taken by astronauts and cosmonauts can be viewed at the NASA/JSC Gateway to Astronaut Photography of Earth. Caption by M. Justin Wilkinson, Jacobs/JETS at NASA-JSC.
Instrument: 
ISS - Digital Cam






NASA: USA - Fires in Montana and Idaho - 08.27.13







Ricardo Marcenaro
Argentina





You have an alphabetical guide in the foot of the page in the blog: solitary dog sculptor
In the blog: Solitary Dog Sculptor I, the alphabetical guide is on the right side of the page
Thanks

Usted tiene una guía alfabética al pie de la página en el blog: solitary dog sculptor
En el blog: Solitary Dog Sculptor I, la guia alfabética está en el costado derecho de la página
Gracias




Ricardo M Marcenaro - Facebook

Blogs of The Solitary Dog:

solitary dog sculptor:
http://byricardomarcenaro.blogspot.com
and
Solitary Dog Sculptor I:
http://byricardomarcenaroi.blogspot.com

Para:
comunicarse conmigo,
enviar materiales para publicar,
propuestas comerciales:
marcenaroescultor@gmail.com

For:
contact me,
submit materials for publication,
commercial proposals:
marcenaroescultor@gmail.com

Diario La Nación
Argentina
Cuenta Comentarista en el Foro:
Capiscum

My blogs are an open house to all cultures, religions and countries. Be a follower if you like it, with this action you are building a new culture of tolerance, open mind and heart for peace, love and human respect.

Thanks :)

Mis blogs son una casa abierta a todas las culturas, religiones y países. Se un seguidor si quieres, con esta acción usted está construyendo una nueva cultura de la tolerancia, la mente y el corazón abiertos para la paz, el amor y el respeto humano.

Gracias :)





Painter: John William Waterhouse - Part 5 - Links to precedent parts







John William Waterhouse - Dante and Beatrice

 
John William Waterhouse - Dante and Beatrice
Detail


John William Waterhouse - Portrait of Miss Claire Kenworthy

 
John William Waterhouse - The easy chair

 
John William Waterhouse - The flower picker John William Waterhouse

 
John William Waterhouse - The Missal

 
John William Waterhouse - The mystic wood

 
John William Waterhouse - The toilet 1889

 
John William Waterhouse The shrine

 
John William Waterhouse The siren 1901

 
John William Waterhouse Tristan and Isolde with the potion

 
John William Waterhouse Tristan and Isolde with the potion
Detail


John William Waterhouse

 
 John William Waterhouse


John William Waterhouse












Painter: John William Waterhouse - Part 5 - Links to precedent parts







Ricardo Marcenaro
Argentina





You have an alphabetical guide in the foot of the page in the blog: solitary dog sculptor
In the blog: Solitary Dog Sculptor I, the alphabetical guide is on the right side of the page
Thanks

Usted tiene una guía alfabética al pie de la página en el blog: solitary dog sculptor
En el blog: Solitary Dog Sculptor I, la guia alfabética está en el costado derecho de la página
Gracias




Ricardo M Marcenaro - Facebook

Blogs of The Solitary Dog:

solitary dog sculptor:
http://byricardomarcenaro.blogspot.com
and
Solitary Dog Sculptor I:
http://byricardomarcenaroi.blogspot.com

Para:
comunicarse conmigo,
enviar materiales para publicar,
propuestas comerciales:
marcenaroescultor@gmail.com

For:
contact me,
submit materials for publication,
commercial proposals:
marcenaroescultor@gmail.com

Diario La Nación
Argentina
Cuenta Comentarista en el Foro:
Capiscum

My blogs are an open house to all cultures, religions and countries. Be a follower if you like it, with this action you are building a new culture of tolerance, open mind and heart for peace, love and human respect.

Thanks :)

Mis blogs son una casa abierta a todas las culturas, religiones y países. Se un seguidor si quieres, con esta acción usted está construyendo una nueva cultura de la tolerancia, la mente y el corazón abiertos para la paz, el amor y el respeto humano.

Gracias :)