Alexander Borodin - Requiem
Alexander Borodin (orch. Leopold Stokowski):
Requiem (from Paraphrases)
BBC Symphony Chorus, P
BBC Symphony Chorus, P
hilharmonia Orchestra, Geoffrey Simon
(Photoin video: Anvar Khodzhaev)
(Photoin video: Anvar Khodzhaev)
Prince Igor from Polovetsian Dances - Alexander Borodin
The Polovtsian Dances (or Polovetsian Dances) (Russian: ?????????? ??????, Polovetskie plyaski from the Russian name of the Turkic Polovtsy people) form an exotic scene in Alexander Borodin's long opera Prince Igor.
The work left unfinished when the composer died in 1887, although he had worked on it for more than a decade. A performing version was prepared by Nikolai Rimsky-Korsakov and Alexander Glazunov, appearing in 1890. Several other versions, or "completions," of the opera have been made. The dances are performed with chorus and last between 11 and 14 minutes. They occur in Act I or Act II, depending on which version of the opera is being used. Their music is popular and sometimes given in concert. At such performances the choral parts are often omitted. The opera also has a "Polovtsian March," which opens Act III, and an overture at the start. When the dances are given in concert, a suite may be formed: Overture, Polovtsian Dances and March from "Prince Igor."
Most of the themes from No. 17 were incorporated into the 1953 musical Kismet, best known of which is the women's dance ("Gliding Dance of the Maidens"), adapted for the song "Stranger in Paradise". Thirteen years earlier, in 1940, Artie Shaw recorded "My Fantasy" (credited to composers Paul Whiteman, Jack Meskill, and Leo Edwards), which has a tune virtually identical to this dance. Paul Whiteman adapted the music from the Polovtsian Dances theme from Prince Igor (1890). The Paul Whiteman Orchestra recorded "My Fantasy" in 1939.
A hip-hop song version of the music was produced by Warren G and Sissel Kyrkjebø for the album The Rhapsody, simply entitled "Prince Igor". The single was released in 1997, along with the album.
The theme was also used in the Massive Attack song "Karmacoma", from the album Protection in 1994.
The heavy metal song Lonely Winds of War by Masterplan also uses the melody in the chorus.
More recent adaptations of the music include the following: 2014 Opening ceremonies of the Winter Olympic games in Sochi.
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Original performer: The MIT Concert Choir
Conductor: William Cutter
License: Creative Commons Attribution-Noncommercial 3.0 United States
Website: http://web.mit.edu/21m401/www/reperto...
Text from: en.wikipedia.org
The work left unfinished when the composer died in 1887, although he had worked on it for more than a decade. A performing version was prepared by Nikolai Rimsky-Korsakov and Alexander Glazunov, appearing in 1890. Several other versions, or "completions," of the opera have been made. The dances are performed with chorus and last between 11 and 14 minutes. They occur in Act I or Act II, depending on which version of the opera is being used. Their music is popular and sometimes given in concert. At such performances the choral parts are often omitted. The opera also has a "Polovtsian March," which opens Act III, and an overture at the start. When the dances are given in concert, a suite may be formed: Overture, Polovtsian Dances and March from "Prince Igor."
Most of the themes from No. 17 were incorporated into the 1953 musical Kismet, best known of which is the women's dance ("Gliding Dance of the Maidens"), adapted for the song "Stranger in Paradise". Thirteen years earlier, in 1940, Artie Shaw recorded "My Fantasy" (credited to composers Paul Whiteman, Jack Meskill, and Leo Edwards), which has a tune virtually identical to this dance. Paul Whiteman adapted the music from the Polovtsian Dances theme from Prince Igor (1890). The Paul Whiteman Orchestra recorded "My Fantasy" in 1939.
A hip-hop song version of the music was produced by Warren G and Sissel Kyrkjebø for the album The Rhapsody, simply entitled "Prince Igor". The single was released in 1997, along with the album.
The theme was also used in the Massive Attack song "Karmacoma", from the album Protection in 1994.
The heavy metal song Lonely Winds of War by Masterplan also uses the melody in the chorus.
More recent adaptations of the music include the following: 2014 Opening ceremonies of the Winter Olympic games in Sochi.
--------------------------------------------
Original performer: The MIT Concert Choir
Conductor: William Cutter
License: Creative Commons Attribution-Noncommercial 3.0 United States
Website: http://web.mit.edu/21m401/www/reperto...
Text from: en.wikipedia.org
In the Steppes of Central Asia [HD] -- Alexander Borodin at his best!
On the Steppes of Central Asia (Russian: ? ??????? ????, V srednyei Azii, literally In Central Asia) is the common English title for a "musical tableau" (or symphonic poem) by Alexander Borodin, composed in 1880.
The work was originally intended to be presented as one of several tableaux vivants to celebrate the silver anniversary of the reign of Alexander II of Russia, who had done much to expand the Russian Empire eastward. The intended production never occurred, but the work itself became, and has remained, a concert favorite ever since its first concert performance, on 8 April 1880 (Old style) in St. Petersburg by the orchestra of the Russian Opera under the conductorship of Nikolai Rimsky-Korsakov. The work is dedicated to Franz Liszt.
This orchestral work idyllically depicts an interaction of Russians and Asians in the steppe lands of the Caucasus. A caravan of Central Asians is crossing the desert under the protection of Russian troops. The opening theme, representing the Russians, is heard first (see chart of themes below); then we hear the haunting strains of an ornamented eastern melody on English horn, representing the Asians. These two melodies eventually are combined contrapuntally. Amidst these two ethnic melodies is heard a "traveling" theme in pizzicato that represents the plodding hoofs of the horses and camels. At the end only the Russian theme is heard.
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Text above is offered by courtesy of Wikipedia, under a Creative Commons Attribution-ShareAlike License.
The work was originally intended to be presented as one of several tableaux vivants to celebrate the silver anniversary of the reign of Alexander II of Russia, who had done much to expand the Russian Empire eastward. The intended production never occurred, but the work itself became, and has remained, a concert favorite ever since its first concert performance, on 8 April 1880 (Old style) in St. Petersburg by the orchestra of the Russian Opera under the conductorship of Nikolai Rimsky-Korsakov. The work is dedicated to Franz Liszt.
This orchestral work idyllically depicts an interaction of Russians and Asians in the steppe lands of the Caucasus. A caravan of Central Asians is crossing the desert under the protection of Russian troops. The opening theme, representing the Russians, is heard first (see chart of themes below); then we hear the haunting strains of an ornamented eastern melody on English horn, representing the Asians. These two melodies eventually are combined contrapuntally. Amidst these two ethnic melodies is heard a "traveling" theme in pizzicato that represents the plodding hoofs of the horses and camels. At the end only the Russian theme is heard.
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Text above is offered by courtesy of Wikipedia, under a Creative Commons Attribution-ShareAlike License.
Alexander Borodin tomb - Tikhvin Cemetery St. Petersburg
Music: Alexander Borodin - Requiem - Prince Igor from Polovetsian Dances - 3 Vids - Data
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